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Engraving of act IV from the Valencia edition (1514)

Lucrecia, Celestina, Alisa and Melibea, the same building from the title page fills the left side.

Engraving of act V from the Valencia edition (1514)

Calisto, Pármeno, Sempronio and Celestina. Building with a man and a woman in the window.

Engraving of act VI from the Valencia edition (1514)

Calisto, Celestina, Pármeno and Sempronio; building with a woman in the window.

Engraving of act VII from the Valencia edition (1514)

Pármeno, Celestina, Areúsa and Elicia with a flower; building with a woman in the window on the right.

Engraving of act VIII from the Valencia edition (1514)

Sempronio, Pármeno, Areúsa, building with a woman inside, and Calisto on the other side.

Engraving of act IX from the Valencia edition (1514)

Sempronio, Pármeno, two buildings with three people who appear named as Elicia, Celestina and Areúsa, and in the other building Lucrecia.

Engraving of act X from the Valencia edition (1514)

Building with an unidentified woman, Melibea, Celestina, Lucrecia and Alisa.

Engraving of act XI from the Valencia edition (1514)

Calisto, Celestina, Pármeno, Sempronio, and a building with two people at the window, one of whom is identified as Elicia.

Engraving (first) of act XII from the Valencia edition (1514)

Calisto, building with a person identified as Lucrecia, building with two people, and one identified as Melibea, while on the right side two figures identified as Sempronio and Pármeno.

Engraving (second) of act XII from the Valencia edition (1514)

Scene Celestina's death at the hands of Pármeno and Sempronio on the right. The vignette on the left represents their fall from the window and the judge with his guard. There are no identifications of the characters and it is the first of the…

Engraving of act XIII from the Valencia edition (1514)

Pármeno and Sempronio's execution in the public square (corner of the building). The executioner, judge and two soldiers or guards are present.

Engraving of act XIV from the Valencia edition (1514)

Calisto climbing the wall of Melibea's garden. Melibea is waiting for him inside with Lucrecia. Sosia and Tristán are armed and with him outside.

Engraving of act XV from the Valencia edition (1514)

A house with an unidentified woman, Areúsa, Centurio and Elicia in mourning; a tree to complete the scenery. Return to the use of factotums.

Engraving of act XVI from the Valencia edition (1514)

Building with an unidentified woman, Pleberio, Alisa, Lucrecia and Melibea.

Engraving of act XVII from the Valencia edition (1514)

A tree, Elicia, Areúsa, Sosia and building with an unidentified woman.

Engraving of act XVIII from the Valencia edition (1514)

Building with two people, Centurio, Elicia with a flower, Areúsa, a tower with various unidentified people.

Engraving (second) of act XIX from the Valencia edition (1514)

Sosia and Tristán recovering Calisto's corpse after his fall.

Engraving of act XX from the Valencia edition (1514)

A house with an unidentified character, Pleberio, Lucrecia, Melibea and a tree. Variant of the factotums of act XVI.

Engraving of act XXI from the Valencia edition (1514)

Melibea's suicide throwing herself from the tower. At the sides, Pleberio and Alisa, and two buildings.

Cover of the Valencia edition, 1514.

Calisto and his servants in the foreground; Celestina knocking on the door of Melibea's house, and inside her, her parents and her servant. In the background two men (Pármeno and Sempronio?) meet with two women (Areúsa and Elicia) in…

Engraving from Valencia (1518) depicting "El autor disculpándose" y "Concluye el autor" (The author apologizes; The author concludes)

This image depicts the author, supposedly Rojas, dressed as a university student. Plants in the background. This image is often labeled as "the author as a young man" to distinguish it from the image of the author in the Valencia (1529) edition by…

Engraving from Valencia 1518 depicting "Alonso de Proaza corrector de la impresión" (Alonso de Proaza corrector of printing)

Image of a person writing at a desk with a quill in his hand.

First illustration of the cover page of the Valencia edition (1529)

Composite scene that shows two servants escorting Calisto on horseback and a third Black servant or page. It also includes a dog and in the right margin Melibea's house, where she and Lucrecia are on the balcony, while Celestina knocks on the door,…

Illustration of the prologue of the Valencia edition (1529)

Represents the author and at times the illustration is identified as "young author" to distinguish it from the image of the "old author" in the Valencia edition (1518).

Illustration of act I of the Valencia edition (1529)

Five factotums of Pármeno, Calisto, Melibea (holding a mirror and a background with vegetation), Celestina, Elisa. The name Crito is included above the factotums but does not have a corresponding image.

Illustration of act II of the Valencia edition (1529)

Three factotums of Calisto, Pármeno and Sempronio. Framed by a tree and a tower with two people inside. The image of Pármeno is the same used in the previous act for Calisto.

Illustration of act III of the Valencia edition (1529)

Factotums of Sempronio, Celestina and Elicia framed by a tree and a tower.

Illustration of act IV of the Valencia edition (1529)

Factotums of Lucrecia, Celestina, Alisa and Melibea. Only Alisa corresponds to an older woman, but not Celestina. On the left, there is a row of houses.

Illustration of act V of the Valencia edition (1529)

Factotums of Calisto, Pármeno, Sempronio, Celestina and a house with a person inside in the right margin.

Illustration of act VI of the Valencia edition (1529)

Factotums of a house with a person inside, Calisto, Celestina (head covered), Pármeno and Sempronio.

Illustration of act VII of the Valencia edition (1529)

Factotums of Pármeno, Celestina, Areúsa, Elicia and a house.

Illustration of act VIII of the Valencia edition (1529)

Factotums of Sempronio, Pármeno, Areúsa, Calisto and a house.

Illustration of act IX of the Valencia edition (1529)

Factotums of Sempronio, Pármeno, two houses repeated (in the Valencia edition (1514) they are different), and a covered female character. The names above these five factotums are Sempronio, Pármeno, Elicia, Celestina, Areúsa, Lucrecia.

Illustration of act X of the Valencia edition (1529)

Factotums of Melibea, Celestina, Lucrecia, Alisa.

Illustration of act XI of the Valencia edition (1529)

Factotums of Calisto, Celestina, Pármeno, Sempronio and Elicia.

First illustration of act XII of the Valencia edition (1529)

Factotums of Calisto, Lucrecia, Melibea, Sempronio and Pármeno.

Second illustration of act XII of the Valencia edition (1529)

Pármeno and Sempronio killing Celestina with swords.

Illustration of act XIII of the Valencia edition (1529)

The executioner executes Pármeno and Sempronio in the right margin and the judge holds a staff and sword in his belt flanked by two armed soldiers.

Illustration of act XIV of the Valencia edition (1529)

Sosia and Tristán stand guard while Calisto begins to climb the ladder. Lucrecia and Melibea watch them from the other side of the crenelated wall. This is used again in act XX.

Illustration of act XV of the Valencia edition (1529)

Factotum of Areúsa, who has her head covered in mourning, Centurio and Elicia. Framed by factotums of buildings on each side.

Illustration of act XVI of the Valencia edition (1529)

Factotums of Pleberio without a beard, Alisa, Lucrecia wearing cloak, and Melibea holding a mirror and a plant in the background. Factotum of a building in the right margin.

Illustration of act XVII of the Valencia edition (1529)

Factotums of Elicia, Areúsa and Sosia framed by two buildings in the margins.

Illustration of act XVIII of the Valencia edition (1529)

Factotums of Centurio, Elicia (covered) and Areúsa (without head covering) framed by two buildings.

First illustration of act XX of the Valencia edition (1529)

The same image used in act XIV: Sosia and Tristán stand guard while Calisto begins to climb the ladder. Lucrecia and Melibea watch from the other side of the crenelated wall.

Second illustration of act XX of the Valencia edition (1529)

Sosia and Tristán retrieve Calisto's body. He has just fallen from the ladder.

Third illustration of act XX of the Valencia edition (1529)

Factotums of Pleberio, without a beard, Lucrecia who has her head covered and Melibea with the mirror and a plant in the background, surrounded by a building on the left and a tree on the right. Very similar to the illustration used in act XVI. Note…

Illustration of act XXI of the Valencia edition (1529)

Factotum of a house, Alisa, Melibea throwing herself from the tower (without a name above) and Pleberio tearing at his beard.

Illustration of the cover page in the Burgos edition (1531)

Composite scene with an unidentified servant, Calisto, Melibea and Lucrecia with their initials above them, and Celestina, also with initials, knocking at a door with the thread in hand; a tree in the center.

Image of act I of the Burgos edition (1531)

Six factotums and above seven names: Calisto, Melibea, Pármeno, Sempronio, Celestina, Elicia and Crito (there is no image for him). The image of Calisto is of an old man which is used in act XX for Pleberio; Sempronio wearing a turban, an image that…

Image of act II of the Burgos edition (1531)

Factotums of Calisto, Sempronio and Pármeno and two factotums of houses in the right margin. Same character images as used in act I.

Image of act III of the Burgos edition (1531)

Factotums of a tree, Sempronio, Celestina, Elicia and houses. The image of Sempronio is different from the ones used in earlier acts.

Image of act IV of the Burgos edition (1531)

Factotums of houses, Celestina, Lucrecia, Alisa and Melibea. New image for Melibea, who in the other acts is portrayed with the same image as in act I.

Image of act V of the Burgos edition (1531)

Factotums of Celestina, Sempronio, Pármeno, Calisto and houses.

Image of act VI of the Burgos edition (1531)

Factotums of Calisto, Celestina, Pármeno, Sempronio and houses.

Second image of act VII of the Burgos edition (1531)

Factotums of houses, Celestina, Parmeno, Areúsa and Elicia (image used previously for Lucrecia).

Image of act VIII of the Burgos edition (1531)

Factotums of Pármeno, Areúsa, Calisto, Sempronio and houses.

Image of act IX of the Burgos edition (1531)

Factotums of Sempronio, Pármeno, Celestina, Lucrecia, Elicia and Areúsa (image used previously for Lucrecia and Elicia).

Image of act X of the Burgos edition (1531)

Factotums of Melibea, Celestina, Alisa, Lucrecia and houses.

Image of act XI of the Burgos edition (1531)

Factotums of Celestina, Calisto, Sempronio, Pármeno and Elicia.

First image of act XII of the Burgos edition (1531)

Factotums of Calisto, Lucrecia, Melibea, Pármeno and Sempronio.

Second image of act XII of the Burgos edition (1531)

Double image, Celestina's death at the hands of Pármeno and Sempronio with Elicia as witness on the left and their jump from the window and the judge sentencing them on the right. Only the house wall serves to partially separate the scenes.

First image of act XIII of the Burgos edition (1531)

Factotums of a tree, Calisto, Tristán, Sosia and houses.

Second image of act XIII of the Burgos edition (1531)

Pármeno and Sempronio's execution scene with Sosia as witness, plus judge, two soldiers and another character pointing their fingers.

First image of act XIV of the Burgos edition (1531)

Factotums of Melibea, Lucrecia, Sosia, Tristán and Calisto (new image of a young man for Calisto) (Sosia is shown as the image of the man with the turban used previously for Sempronio).

Second image of act XIV of the Burgos edition (1531)

Calisto climbs the ladder to the garden where Melibea and Lucrecia are waiting for him and outside Tristán and Sosia are armed. It is reused in act XIX.

Image of act XV of the Burgos edition (1531)

Factotum of houses, Elicia, Centurio (man with a turban, which has already been used), Areúsa in mourning (image used previously for Alisa) and houses.

Image of act XVI of the Burgos edition (1531)

Factotums of Melibea, Lucrecia, Pleberio, Alisa (image previously used for Celestina) and a tree.

Image of act XVII of the Burgos edition (1531)

Factotums of a tree, Elicia, Areúsa, Sosia and houses.

Image of act XVIII of the Burgos edition (1531)

Factotums of a tree, Centurio, Areúsa, Elicia and a house.

First image of act XIX of the Burgos edition (1531)

Factotums of Sosia, Tristán, Calisto, Melibea and Lucrecia.

Second image of act XIX of the Burgos edition (1531)

Same image used in act XIV; Calisto climbing the ladder to the garden where Melibea and Lucrecia wait for him and outside Tristán and Sosia armed.

Third image of act XIX of the Burgos edition (1531)

Dead Calisto is taken by Sosia and Tristán after falling from the ladder.

First image of act XX of the Burgos edition (1531)

Factotums of houses, Pleberio (image used previously for Calisto), Lucrecia, Melibea and a tree.

Second image of act XX of the Burgos edition (1531)

Melibea throws herself from the tower while Pleberio opens his arms on the left side (variation of the image used in the previous act) and a woman with her hair down joins her hands in prayer.

Cover of the Salamanca edition, 1590.

Composite scene of Celestina knocking on the door with the thread, Lucrecia at the window, Calisto and Melibea in the garden, a horse and a woman. A low quality image that seems to be inspired by the cover of the edition of Valencia, 1514 or of…

Representation of the Theatre du Hangar, Morsang-sur-Orge, France, by Jurado, 1984-1986

Cast from the Theatre du Hangar

Still fromLa Célestine, by Kahane (1967)

Célestine (Maria Meriko) and Sempronio (Jacques Ferrière)

Representation of the Théâtre du Vieux-Colombier, Paris, by Kahane (1967)

French language adaptation: Georges Brousse
Decoration: Marcel-Louis Dieulot
Costumes: Anne-Marie Marchand
Music: Even de Tissot

Cast:
Bernard Garnier – Calisto
Dominique Arden – Melibea
Jacques Ferrière - Sempronio
Bernard Laïk - Pármeno…

Representation of El canónigo y la alcahueta, by the Kellergeister Theater, Frankfurt (2014)

Representación del Kellergeister Theater, Frankfurt (2014)

Title: The procuress and the canon. (La alcahueta y el canónigo (Der Domherr und die Kupplerin))A farse of Carnaval (Fastnacthspiel) from the Middle Ages in Nuremberg.

Matchmaker and Young Man (Alcahueta y hombre joven), engraving (1794) based on Bartolomeo Manfredi's painting (1582-1622).

Matchmaker or old woman shows a box with objects to a young man.

The Whisper, by KermitTX (2008)

The Whisper (El susurro), by KermitTX (sic) (2008)

A drawing done by the DeviantArt user KermitTX. Inspired by the Michael Sweerts painting "The young man and the procuress."

Representation of the Bryant-Lake Bowl Theater, Minneapolis, Minnesota, by Kidder, 2009

Play:For Celestina and Maja on BalconyWritten by Trista Baldwin Local artists got together to translate six masterpieces of the famous painter for the stage. From the noble beauty of court life to the nightmarish visions of a cynic old man, "The Goya…

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