Browse Items (3223 total)

Probably an English or Dutch engraving.

A prostitute and her procuress in court, according to the museum's description.

Part of the series of the whims by Francisco de Goya. Etching and aquatint on paper.

A scene in the Hermitage of the Virgin of the Port. In the lower left corner of the table, there is a group of people acting similarly as characters inLa Celestina. A soldier dressed in red, with a young girl who seems to be flirting, while an old…

According to the museum's description, a procuress tries to recruit a poor girl by promising her a life of luxury. Meanwhile, a potential client waits at the door.

Other title: Искушение

Mixed method in mural transferred to canvas.
This painting is on display at the Prado Museum, in the "Black Paintings" collection, the description of the painting provided by the museum in the exhibition describes the women drawn as "dressed in the…

Calisto in the garden and Melibea on a balcony. Curiously Calisto is shown with a bow.

Calisto conversing with Pármeno and Sempronio in the interior of the house.

Celestina and Sempronio speak in the street and Elicia coming out of a doorway. The same image is reused in act XVI.

Melibea hands over the girdle to Celestina, who carries a staff.

Celestina walks through the street while a dog barks at her and a man and woman watch her from the doorway of a house. This does not appear to represent any specific scene from the act. Perhaps it is a reference to Pármeno's words in act I "si pasa…

Calisto, seated, speaks with Celestina, meanwhile Pármeno and Sempronio talk amongst themselves. the same engraving is reused in act XI.

Celestina and Pármeno stand at the foot of Areúsa's bed. The same scene is reused in acts XVII and XXII.

Pármeno and Sempronio talk at the door of the house. The same image is used again in act XIII.

The banquet in Celestina's house with Pármeno, Sempronio, Elicia and Areúsa. A dog under the table is eating something. A large jug of wine beside Celestina.

A difficult scene to understand as it does not correspond to the action in act X. A man approaches to speak to a woman who is sitting or has fallen down while the other one present stands. This could refer to the page who comes in search of Alisa,…

The same illustration used in act VI, which shows Celestina talking with a seated Calisto, while Pármeno and Sempronio talk amongst themselves behind her.

Sempronio amd Pármeno stand guard while Calisto is at the gates of Melibea's garden. Because of the types of arms they carry it seems to be a military scene. Note that the shield Calisto carries has an image of a heart pierced by an arrow. The same…

Scene used previously for act VIII to show Pármeno and Sempronio talking at the door of a house. Now it could represent them before entering Celestina's house and killing her.

Pármeno and Sempronio's execution. It is novel to include two women in the right margin watching from the window, as if referencing Elicia and Areúsa, although this detail does not occur in the text. This image is used again in act XX.

A strange representation of Calisto's visit to Melibea which shows Sosia and Tristán in the same image and the ladder beside Melibea. The image seems to suggest that Melibea had descended from a tower using the ladder. The same image is used again in…

Image used in act X. Now it is used for the conversation of Areúsa and Elicia with Centurio. The same image is used again in acts XVIII and XXI.

Same image used in act III that now seems to represent Alisa and Pleberio talking while Lucrecia listens in.

Same image of a woman in bed and a man and another woman at the foot, used in act VIII representing there the visit of Pármeno and Celestina to Areúsa. Here the image does not make sense as it does not correspond to the action in the act. It is…

The same illustration as used in act X. Now it can be assumed it represents the conversation between Centurio, Areúsa and Elicia.

The same illustration used in act XII. Now representing Calisto's visit to Melibea with Tristán and Sosia as escorts.

The same image as used in act XIV. Calisto's visit to Melibea's garden with Sosia and Tristán present.

The same illustration used in act XIII Pármeno and Sempronio's execution. Now it does not seem to be connected with the action of the current scene, save for referencing the previous event.

The same image used in acts XV and XVIII. Now it could represent Pleberio speaking with Alisa and Lucrecia present.

The same image used in acts VII and XVII. Now it could be used to represent the conversation between Pleberio and Alisa with Lucrecia present.

Building with two windows and three characters inside, two women in a garden in front, Celestina knocking at the door, Calisto and two servants in the right margin, behind there are two men and two women who meet in the street in front of other…

Factotums of four images, two young men, a young woman and an old woman. Above are the names Pármeno, Calisto, Melibea, Sempronio, Celestina and Crito, which correspond to characters in the act, not to the images. Celestina is covered and has her…

Drop cap letter E with the figure of an undetermined saint. It is part of Calisto's first words, "In this I see..." Perhaps it was considered relevant given the content of loa of the divine work of these words, or simply used this image at random.

Factotum of four blocks: houses, Calisto, Pármeno and Sempronio, the last two are armed and Sempronio has a turban and a shield.

Four blocks of factotums with Pármeno, Elicia, Celestina and houses.

Factotums of Celestina, Lucrecia, Melibea and Alisa. Alisa's factotum is the same that is used for Celestina in the first illustration of act I.

Four factotums with the names of Calisto, Pármeno, Sempronio (wearing a turban) and a new image for Celestina with her head covered with a black scarf.

Factotums of Calisto, Celestina, Pármeno and Sempronio.

Four factotums of Celestina, Pármeno, Areúsa and Elicia.

Four factotums of Calisto, Areúsa, Sempronio and Pármeno.

Four factotums of two masculine and two feminine figures. Above are the names Sempronio, Pármeno, Elicia, Celestina, Areúsa and Lucrecia. As there is no older woman, Celestina does not seem to be represented and one of the named young women is…

Factotums of Celestina, Melibea with a flower in hand, Lucrecia and Alisa.

Four factotums of Calisto, Celestina, Pármeno and Sempronio. Elicia's name appears above but there is no character for her.

Four factotums: two men and two young women and five names: Calisto, Lucrecia, Pármeno, Melibea, Sempronio.

Double image. On the left, the judge and two soldiers stand over Pármeno or Sempronio's fallen body, while the other of the two is still jumping from the window.
On the right, the previous scene of Pármeno and Sempronio killing Celestina with…

The judge between two armed soldiers and, on the right, the executioner beheading Pármeno and Sempronio with a knife (one of them is already beheaded). A corner background of houses with arched windows and a two part view.

Tristán and Sosia remove Calisto's dead body. In the background, Melibea's garden and the ladder at hand. Above, the names Melibea, Lucrecia, Sosia, Tristán and Calisto can be read. The images of Melibea and Lucrecia are not visible, but it is…

Four factotums: building, Areúsa (image of a woman that is covered, possibly to represent her mourning, but the same used in previous acts to portray Celestina), Centurio (image used in act XII for Sempronio) and Elicia.

Four factotums with the names of Pleberio, Alisa, Lucrecia and Melibea (with a flower).

Four factotums: a tower with various people on top of and within it, Elicia with a black mourning mantle, Areúsa, Sosia (image used for another character in act IX).

Four factotums: a building with two people inside, Areúsa, Elicia, Centurio (image used for another character in another act XI).

Lucrecia and Melibea behind the crenellated walls of the garden that Calisto is scaling, on the right, two armed servants, Sosia and Tristán.

Tristan and Sosia collect Calisto's dead body. Melibea's garden in the background with the ladder at hand. Above, the names Melibea, Lucrecia, Sosia, Tristán, Calisto can be read. The images of Melibea and Lucrecia are not seen, but it is assumed…

Four factotums: Lucrecia, Melibea, a building with two people, and Pleberio.

Pleberio and Alisa watch as Melibea throws herself from the tower. Two buildings at the sides.

Composite scene with an unidentified servant, Calisto, Melibea and Lucrecia with their initials above them, and Celestina, also with initials, knocking at a door with the thread in hand; a tree in the center.

Six factotums and above seven names: Calisto, Melibea, Pármeno, Sempronio, Celestina, Elicia and Crito (there is no image for him). The image of Calisto is of an old man which is used in act XX for Pleberio; Sempronio wearing a turban, an image that…

Factotums of Calisto, Sempronio and Pármeno and two factotums of houses in the right margin. Same character images as used in act I.

Factotums of a tree, Sempronio, Celestina, Elicia and houses. The image of Sempronio is different from the ones used in earlier acts.

Factotums of houses, Celestina, Lucrecia, Alisa and Melibea. New image for Melibea, who in the other acts is portrayed with the same image as in act I.

Factotums of Celestina, Sempronio, Pármeno, Calisto and houses.

Factotums of Calisto, Celestina, Pármeno, Sempronio and houses.

Factotums of houses, Celestina, Parmeno, Areúsa and Elicia (image used previously for Lucrecia).

Factotums of Pármeno, Areúsa, Calisto, Sempronio and houses.

Factotums of Sempronio, Pármeno, Celestina, Lucrecia, Elicia and Areúsa (image used previously for Lucrecia and Elicia).

Factotums of Melibea, Celestina, Alisa, Lucrecia and houses.

Factotums of Celestina, Calisto, Sempronio, Pármeno and Elicia.

Factotums of Calisto, Lucrecia, Melibea, Pármeno and Sempronio.

Double image, Celestina's death at the hands of Pármeno and Sempronio with Elicia as witness on the left and their jump from the window and the judge sentencing them on the right. Only the house wall serves to partially separate the scenes.

Factotums of a tree, Calisto, Tristán, Sosia and houses.

Pármeno and Sempronio's execution scene with Sosia as witness, plus judge, two soldiers and another character pointing their fingers.

Factotums of Melibea, Lucrecia, Sosia, Tristán and Calisto (new image of a young man for Calisto) (Sosia is shown as the image of the man with the turban used previously for Sempronio).

Calisto climbs the ladder to the garden where Melibea and Lucrecia are waiting for him and outside Tristán and Sosia are armed. It is reused in act XIX.

Factotum of houses, Elicia, Centurio (man with a turban, which has already been used), Areúsa in mourning (image used previously for Alisa) and houses.

Factotums of Melibea, Lucrecia, Pleberio, Alisa (image previously used for Celestina) and a tree.

Factotums of a tree, Elicia, Areúsa, Sosia and houses.

Factotums of a tree, Centurio, Areúsa, Elicia and a house.

Factotums of Sosia, Tristán, Calisto, Melibea and Lucrecia.

Same image used in act XIV; Calisto climbing the ladder to the garden where Melibea and Lucrecia wait for him and outside Tristán and Sosia armed.

Dead Calisto is taken by Sosia and Tristán after falling from the ladder.

Factotums of houses, Pleberio (image used previously for Calisto), Lucrecia, Melibea and a tree.

Melibea throws herself from the tower while Pleberio opens his arms on the left side (variation of the image used in the previous act) and a woman with her hair down joins her hands in prayer.

Celestina (Amelia de la Torre), Melibea (Elisa Ramírez) and Calisto (Julián Mateos)

Celeste Rojas (Nacarid Escalona), Pleberio Fuentes, Melibea's father (Guillermo Pérez), Alina Cordero de Fuentes, Melibea's mother (Emma Rabbe).

Melibea Fuentes Cordero (Josette Vidal) and Calixto Sánchez Peláez (Lasso).

A new love triangle: Miguel Ángel Gael Parra, a suitor of Melibea's (Emmanuel Palomares), Melibea Fuentes Cordero (Josette Vidal) and Calixto Sánchez Peláez (Lasso).

Celestina: manipulator of men