Browse Items (3219 total)

Painting on wood made with a mixed technique that represents a medieval courtship scene inspired byLa Celestina.The author writes about the image: "To seduce the beloved the help of the procuress was not enough. It was necessary to reach the dreamy…

Grabdo inglés cuyo título completo es "The Harlot´s Nurse or Modern Procuress". Incluye 8 líneas en verso: "Behold the practis'd Baud explore, / The Nymph from head to foot all O'er, / For Cupers whom shes dress'd w'th Care, / (A bait to Catch some…

Original title: Alcoviteira ("Matchmaker").

Modern plastic figure based on artist and designer Bordalo Pinheiro's drawings. It is based on the tradition of Gil Vicente's play Auto das barcas do inferno (16th century),
in which a matchmaker called…

This image corresponds to act VII but is placed in act VIII in the physical copy

Two handmade dolls, 2011, inspired by the characters of Calisto and Melibea and Tim Burton's movieNightmare before Christmas (1993)The creator describes her dolls: Today I'm not going to show my dolls, but I'm going to show you what my daughter…

ONCE and "Festival Celestina. La España de Rojas" lottery coupon to commemorate the 550th anniversary of Fernando de Rojas' birth .

On the cover there is a young woman in a room.

A naive-style, colour drawing of Celestina with the thread, Calisto on the ladder reaching out to Melibea on the wall, and Lucrecia keeping watch.

Poster of a conference in which editions of La Celestina and El Lazarillo will be announced.
Image of Celestina taking from one of the early illustrated editions to which a child, presumably Lazarillo, has been added.

From the series La Celestina (2008, c.)

From the series La Celestina (2008, c.)

From the series La Celestina (2008, c.)

From the series La Celestina (2008, c.)

From the series La Celestina (2008, c.)

From the series La Celestina (2008, c.)

From the series La Celestina (2008, c.)

From the series La Celestina (2008, c.)

From the series La Celestina (2008, c.)

From the series La Celestina (2008, c.)

From the series La Celestina (2008, c.)

From the series La Celestina (2008, c.)

From the series La Celestina (2008, c.)

Comment by the artist: "At the end of October I finished illustrating La Celestinawith approximately 80 drawings, the project had stalled for various reasons. This time the publication was planned for February 2010. In this illustration I…

Comment by the artist: "This series of illustrations belong an illustrated book about La Celestina that La Luna de Mérida editorial was going to publish. Unfortunately, the work has been suspended or postponed (without a fixed date) due to…

Comment by the artist: "This other drawing illustrates a fragment in which Pármeno describes Celestina's house to Calisto, specifically the room where she prepares her potions and spells."

Comment by the artist: "In this other drawing of La Celestinawe can see Lucrecia, Melibea's servant, showing off her beautiful blonde hair and a fresh breath thanks to the ointments that the "old whore" has provided in exchange for her will."

Comment from the artist: "Another illustration from the unfortunate series La Celestina. Here we see Calisto and Sempronio speaking about Melibea."

Portrait of the procuress Celestina

Cover in watercolor of the Libro de Calixto y Melibea y la puta vieja Celestina("Book of Calixto and Melibea and the old whore Celestina")

French translation.

A black-and-white cover with a design suggestive of a theater program. It depicts a nude female figure and a demon with a pitchfork flanking the title, while, above them, a pair of gargoyles look down on these two figures.…

Theater school directed by León Sierra
Estefany Robayo – Celestina

Translation: Kazimierz Zawanowski
Adaptation: Henryk Adamek
Scenography: Wojciech Jankowiak
Costumes: Marta Hubka
Music: Krzysztof Zgraja
Choreography: Jakub Chrzanowski
Music director: Marzena Mikuła-Drabek
Assistant director: Andrzej…

Representation of La Celestina,Compañía Nacional de Teatro, México, 2019. Adaptation by Rosenda Monteros anddirection by Ruby TagleImages 5-6 of the representation in the Teatro del Bosque Julio Castillo of the Bosque Cultural Centre, from February…

Busts of Calisto and Melibea with laurel leaf crowns. The abbreviated names of the characters are shown above.This is an illustrated edition that can be seen by clicking here: Estella, 1557

Calisto in the garden and Melibea on a balcony. Curiously Calisto is shown with a bow.

Calisto conversing with Pármeno and Sempronio in the interior of the house.

Celestina and Sempronio speak in the street and Elicia coming out of a doorway. The same image is reused in act XVI.

Melibea hands over the girdle to Celestina, who carries a staff.

Celestina walks through the street while a dog barks at her and a man and woman watch her from the doorway of a house. This does not appear to represent any specific scene from the act. Perhaps it is a reference to Pármeno's words in act I "si pasa…

Calisto, seated, speaks with Celestina, meanwhile Pármeno and Sempronio talk amongst themselves. the same engraving is reused in act XI.

Celestina and Pármeno stand at the foot of Areúsa's bed. The same scene is reused in acts XVII and XXII.

Pármeno and Sempronio talk at the door of the house. The same image is used again in act XIII.

The banquet in Celestina's house with Pármeno, Sempronio, Elicia and Areúsa. A dog under the table is eating something. A large jug of wine beside Celestina.

A difficult scene to understand as it does not correspond to the action in act X. A man approaches to speak to a woman who is sitting or has fallen down while the other one present stands. This could refer to the page who comes in search of Alisa,…

The same illustration used in act VI, which shows Celestina talking with a seated Calisto, while Pármeno and Sempronio talk amongst themselves behind her.

Sempronio amd Pármeno stand guard while Calisto is at the gates of Melibea's garden. Because of the types of arms they carry it seems to be a military scene. Note that the shield Calisto carries has an image of a heart pierced by an arrow. The same…

Scene used previously for act VIII to show Pármeno and Sempronio talking at the door of a house. Now it could represent them before entering Celestina's house and killing her.

Pármeno and Sempronio's execution. It is novel to include two women in the right margin watching from the window, as if referencing Elicia and Areúsa, although this detail does not occur in the text. This image is used again in act XX.

A strange representation of Calisto's visit to Melibea which shows Sosia and Tristán in the same image and the ladder beside Melibea. The image seems to suggest that Melibea had descended from a tower using the ladder. The same image is used again in…

Image used in act X. Now it is used for the conversation of Areúsa and Elicia with Centurio. The same image is used again in acts XVIII and XXI.

Same image used in act III that now seems to represent Alisa and Pleberio talking while Lucrecia listens in.

Same image of a woman in bed and a man and another woman at the foot, used in act VIII representing there the visit of Pármeno and Celestina to Areúsa. Here the image does not make sense as it does not correspond to the action in the act. It is…

The same illustration as used in act X. Now it can be assumed it represents the conversation between Centurio, Areúsa and Elicia.

The same illustration used in act XII. Now representing Calisto's visit to Melibea with Tristán and Sosia as escorts.

The same image as used in act XIV. Calisto's visit to Melibea's garden with Sosia and Tristán present.

The same illustration used in act XIII Pármeno and Sempronio's execution. Now it does not seem to be connected with the action of the current scene, save for referencing the previous event.

The same image used in acts XV and XVIII. Now it could represent Pleberio speaking with Alisa and Lucrecia present.

The same image used in acts VII and XVII. Now it could be used to represent the conversation between Pleberio and Alisa with Lucrecia present.

Busts of Calisto and Melibea with laurel crowns. Abbreviated names of the characters written above.

Drawing of the love of Calisto and Melibea. Image that appeared on the blog "Día a día" of the newspaper Periódico El Mercurio, Santiago de Chile.

Note that the illustration of Melibea seems to correspond more to the model of Doña Inés del don…

The image shows a young woman sitting on a chair and a young man sitting in front of her and holding her hand. Next to the young woman appears an old woman with her head covered and with her hand on the young woman's shoulder. By the title of the…

Original title: ¡Puta vieja alcahueta Celestina! O los amores tragicómicos de Calisto y Melibea("Damn old procuress Celestina! Or the tragicomic love of Calisto and Melibea"). Author: Maite Agirre, based on the text of La Celestina by Fernando de…

Colour image of maja and Celestina at a balcony in naive style, inspired by Goya Maja and Celestina at the balcony

Version: Carlos Manuel Varela.
Original music: Kenny Acevedo
Assistance: Vera
Scenography: José Luis Ardissone
Costumes: José y Alejandra Ardissone. With the support of the "Juan de Salazar" Cultural Center of Spain and the Spanish Agency for…

Drawing of La Celestina, with water colour appearance, created using Photoshop and pospo on Painter 11.

Produced by D'hoy Teatro
Adaptation: Iván Álamo

Cast:
Fernando Navas - Celestina
Laura Perdomo - Melibea
Ragüel Santa Ana - Calisto
Carol Cabrera - Areúsa
Iván Álamo - Sempronio

An old woman's face. This is fragment of the painting The Three Ages of Man and Death(c.1541) by Hans Baldung.

Cover of a modern edition, from the Clásicos Juveniles collection.

An original drawing of an older woman with her head covered- presumably Celestina - against a background of waves depicting wind or a turbulent sea.

On the cover there is a colored copy of the engraving of the first act of the Burgos edition of 1499, where Melibea and Calisto appear in a garden.

This cover imitates older covers, with the emblem or seal of the printer. The cover does not feature any images of the characters of the text.

A 19th century Celestina functioning as a messenger receiving and transporting a love letter.

Goya-type model of a maja on the balcony with a procuress behind. A young woman looks out on a balcony and on the left, an old woman that acts as her procuress.

A young woman sitting in a room near a balcony. Around her, an old woman sitting on the right, a man sitting on the left, and a man standing on the left.

A man is accompanied by an old woman with a cane.

A young woman sitting under a tree, accompanied by an old woman on the left and several men on the left looking at her.

In the image appears an old woman with her head covered and a man dressed as a fray. The woman represents Celestina or a procuress.

Portrait of an old woman.

A young woman leaning out on a balcony and accompanied by an old woman.

Other title: Jeune femme au balcon

A man in a hood talks to an old woman.

A man kneeled down in front of two ruffians and two young girls (prostitutes perhaps). On the left, an old procuress.

Other title: En el garlito

Original title: Majas y Celestina en el balcón ("Majas and Celestina on a Balcony").

Note the procuress' enlightening, hook-shaped finger, as well as the handkerchief in the left hand of the seated woman who appears to be crying.

The image shows a young man sitting at a table and an old woman with her head covered talking to him. The way in which the old woman is represented is reminiscent of Celestina in the Celestinesque tradition.

Watercolor on paper of a costumbrista scene with three characters in the Celestinesque tradition

Maja and old woman

Young couple carousing while a boy pickpockets the man. An old woman behind the boy