Browse Items (3220 total)

The same illustration as act IV. Above, the names of Elicia, Areúsa, Sosia, Elicia (repeated)

The same illustration as act I. Above, the names Sosia, Tristanico, Calisto, Melibea, Lucrecia, Sosia (repeated)

Celestina convinces or cajoles a young woman, likely Melibea, although in theory it could be Areúsa, in her bedroom. Bed in the background. "Vetula cauda scorpionis" is written in Latin (an old woman, like the tail of a scorpion).

Nocturnal scene with Calisto and Melibea in the garden with Sosia and Tristán talking outside in the foreground and Lucrecia in the back of the garden.

Initial encounter between Calisto and Melibea. Horse and falcon. Space surrounded by a wall, but different from the garden.

Conversation between Sempronio and a melancholic Calisto seated at the table where there is a lute. In his bedroom with a bed in the background.

Celestina's arrival to Calisto's house accompanied by Sempronio. Pármeno opens the door and Calisto waits upstairs.

Calisto has a bag of money in hand and speaks with Celestina. Pármeno is in the background next to the window looking incredulous. This image corresponds to the last of the first act despite being behind the argument of the second act.

Pármeno helps Calisto mount his horse to pass by Melibea's house.

Sempronio accompanies Celestina to the door of her house where Elicia is at the window.

Celestina offers string to Melibea while a female character, Alisa or Lucrecia, has her back turned.

Same engraving that was the second in act I to represent Celestina's arrival to Calisto's house accompanied by Sempronio and Pármeno opening the door. Here it seems to be used for Celestina's arrival to the house, so the male character that opens the…

Celestina gives Calisto the string while, in the background, Pármeno and Sempronio mock the situation.

Celestina speaks with Areúsa, who is semi-nude in her bed, and Pármeno waits impatiently outside.

Pármeno and Sempronio serve and talk with Calisto in his room. Not a very specific image for the action in this act.

Banquet at Celestina's house with Pármeno, Areúsa, Sempronio and Elicia.

Meeting at Celestina's house, Celestina, Alisa and Lucrecia.

Melibea falls unconscious in her home in front of Celestina.

Celestina speaks with Calisto in the street (on the way to the church of Magdalena) while Pármeno and Sempronio speak amongst themselves.

Calisto speaks with Melibea through the garden door while his servants keep watch. Lucrecia listens to the conversation between Calisto and Melibea.

Two panels separated by a wall. On the right, Pármeno and Sempronio kill Celestina while Elicia cries for help. In the left margin, armed men knock on the door.

Pármeno and Sempronio's execution. Sosia witnesses the event.

Calisto and Melibea's encounter in the garden with Lucrecia as a witness and Sosia and Tristán keeping watch outside. It is not the same engraving used in the argument although it has many similarities.

Elicia and Areúsa see a heavily-armed Centurio off at the door.

Pleberio and Alisa speak of Melibea's future while she is listening beside Lucrecia behind the door.

Areúsa hugs Sosia while she coaxes her master's plans out of him.

Elicia and Areúsa go to Centurio's house to ask him to avenge Celestina's death. Engraving very similar to act XV's.

Sosia and Tristán pick up fallen and dead Calisto. Note that Melibea and Lucrecia are not visible.

Melibea falling from the tower while Pleberio lifts his hands to the sky.

Alisa beside Melibea's dead body and Lucrecia lamenting behind. In the background, Pleberio raises his hands to the sky.

Pleberio goes to wake up Alisa with the bad news of Melibea's death. Lucrecia laments in the background.

Scene of a client being robbed while he negotiates with a prostitute and procuress in the background.

Table representing the temptations of Saint Anthony Abad. In the painting San Antonio appears surrounded by three young women tempting the saint and an old woman. The old woman appears with her breasts exposed and can act as a procuress for the young…

Celestina, Melibea, Lucrecia, Calisto and Sempronio, and dog, falcon and horse. Celestina holding a rosary and Calisto the string and falcon. Note the detail of the horse's testicles that can be seen from behind.

Factotums of the figures of Pármeno, Calisto, Melibea, Sempronio, and Celestina (text superimposed adds Elicia and Crito, that are not in the figure).

Factotums of the images of Calisto, Pármeno and Sempronio, with margins made of trees and houses.

Factotums of the images of Celestina, Sempronio and Elica. Margins made of houses and a tree.

Factotums of the images of Lucrecia, Celestina, Alisa and Melibea. Houses in the margin.

Factotums of the images of Calisto, Pármeno, Sempronio, and Celestina. Houses in the left margin.

Factotums of the images of Calisto, Celestina, Pármeno and Sempronio. Houses in the left margin.

Factotums of the images of Celestina, Pármeno, Areúsa and Elicia. Houses in the left margin.

Factotums of the images of Sempronio, Pármeno, Calisto and Areúsa. Houses in the right margin.

Factotums of the images of Sempronio, Pármeno, Celestina, Lucrecia, Elicia and Areúsa.

Factotums of the images of Melibea, Celestina, Lucrecia and Alisa. Houses in the left margin.

Factotums of the images of Calisto, Celestina, Pármeno and Elicia.

Factotums of the images of Calisto, Lucrecia, Melibea and Sempronio.

Narration of Celestina's death at the hands of Pármeno and Sempronio on the left side, then their jump through the window in the central part and judge and soldier on the right and also in the left margin.

Execution of Pármeno and Sempronio.

Calisto, escorted by Sosia and Tristán, scaling the wall to Melibea's garden, where Melibea and Lucrecia await. The same engraving is repeated in act XIX.

Factotums of the images of Elicia, Centurio and Areúsa. In the margins, a house and a tree.

Factotums of the images of Melibea, Lucrecia, Alisa and Pleberio. In the left margin there are houses.

Factotums of the images of Elicia, Sosia (error of the printer since the image is that of a woman) and Areúsa.

Factotums of the images of Areúsa, Centurio and Elicia. Houses and tree.

Image of Calisto climbing into Melibea's garden. It is the same image from act XIV.

Sosia and Tristán carry the dead Calisto after his fall.

Factotums of the images of Melibea, Lucrecia and Pleberio. Tree and houses.

Melibea's suicide, with Pleberio and Alisa present and two unnamed characters (Lucrecia and a page?).

A variant of the covers of Seville by Cromberger, but completely redesigned. It now also includes a dog and the initials of Sempronio and Celestina have been added on top of the corresponding characters. See the complete description in the edition of…

A building with two windows and three characters inside, a front garden with two women, and Celestina knocking on the door. Callisto and two servants on the right hand margin, in behind, two men and two women are in the street in front of other…

The emblem of the printer with two unicorns and a double-headed eagle.

Drop cap letter E of the first words of the play, "In this I see..." Within the letter there is a saint with a candle or a candelabra.

Factotum with five blocks: houses, Calisto, Sempronio, Pármeno and houses. Sempronio has a beard and Pármeno is holding a bag. The houses are mirror images of a same model.

Factotums of houses, Sempronio, Celestina, Elicia and the same houses inverted. Celestina is holding a rosary and a walking stick, same image used before.

Factotums: houses, Lucrecia, Celestina, Alisa and Melibea. They are speaking in pairs, Celestina with Lucrecia and Alisa with Melibea. Celestina and Alisa are characterized as old women with their heads covered.

Factotums: houses, Celestina, Sempronio, Pármeno and Calisto.

Factotums of houses, Calisto, Celestina, Pármeno and Sempronio.

Factotum of five blocks: houses, Calisto, Sempronio, Pármeno and houses. Sempronio has a beard and Pármeno is holding a bag. The houses are mirror images of a same model.

Five factotums and six names above: Sempronio, Pármeno, Celestina, Elicia, Lucrecia, Areúsa.

Factotums of Melibea, Celestina, Alisa, Lucrecia and houses, the characters speaking in pairs.

Factotums of Calisto, Lucrecia, Melibea, Pármeno and Sempronio.

Factotums of Celestina, Calisto, Sempronio, Pármeno and Elicia.

Factotums of Alisa, Pleberio, Celestina, Elicia and houses. Exceptionally the names are underneath instead of above the figures.

Judge and two soldiers with Pármeno and Sempronio (one on the floor, the other jumping out the window) on the left side and on the right, Pármeno and Sempronio kill Celestina with swords while Elicia pulls out her own hair behind Celestina. Curiously…

Factotums of buildings, Calisto, Tristán, Sosia and buildings. Tristán and Sosia are armed with swords.

Pármeno and Sempronio's execution with two soldiers, judge, Sosia contemplating him and executioner wearing a turban. One of the executed carries a cross in hand.

Factotums of Melibea, Lucrecia, Sosia, Tristán and Calisto.

Sosia and Tristán are armed in the street while Calisto goes up the staircase beside Melibea's garden, who is waiting for him inside with Lucrecia.

Building with two windows and three characters inside, two women in a garden in front, Celestina knocking at the door, Calisto and two servants in the right margin, behind there are two men and two women who meet in the street in front of other…

Factotums of four images, two young men, a young woman and an old woman. Above are the names Pármeno, Calisto, Melibea, Sempronio, Celestina and Crito, which correspond to characters in the act, not to the images. Celestina is covered and has her…

Drop cap letter E with the figure of an undetermined saint. It is part of Calisto's first words, "In this I see..." Perhaps it was considered relevant given the content of loa of the divine work of these words, or simply used this image at random.

Factotum of four blocks: houses, Calisto, Pármeno and Sempronio, the last two are armed and Sempronio has a turban and a shield.

Four blocks of factotums with Pármeno, Elicia, Celestina and houses.

Factotums of Celestina, Lucrecia, Melibea and Alisa. Alisa's factotum is the same that is used for Celestina in the first illustration of act I.

Four factotums with the names of Calisto, Pármeno, Sempronio (wearing a turban) and a new image for Celestina with her head covered with a black scarf.

Factotums of Calisto, Celestina, Pármeno and Sempronio.

Four factotums of Celestina, Pármeno, Areúsa and Elicia.

Four factotums of Calisto, Areúsa, Sempronio and Pármeno.

Four factotums of two masculine and two feminine figures. Above are the names Sempronio, Pármeno, Elicia, Celestina, Areúsa and Lucrecia. As there is no older woman, Celestina does not seem to be represented and one of the named young women is…

Factotums of Celestina, Melibea with a flower in hand, Lucrecia and Alisa.

Four factotums of Calisto, Celestina, Pármeno and Sempronio. Elicia's name appears above but there is no character for her.

Four factotums: two men and two young women and five names: Calisto, Lucrecia, Pármeno, Melibea, Sempronio.

Double image. On the left, the judge and two soldiers stand over Pármeno or Sempronio's fallen body, while the other of the two is still jumping from the window.
On the right, the previous scene of Pármeno and Sempronio killing Celestina with…

The judge between two armed soldiers and, on the right, the executioner beheading Pármeno and Sempronio with a knife (one of them is already beheaded). A corner background of houses with arched windows and a two part view.

Tristán and Sosia remove Calisto's dead body. In the background, Melibea's garden and the ladder at hand. Above, the names Melibea, Lucrecia, Sosia, Tristán and Calisto can be read. The images of Melibea and Lucrecia are not visible, but it is…

Four factotums: building, Areúsa (image of a woman that is covered, possibly to represent her mourning, but the same used in previous acts to portray Celestina), Centurio (image used in act XII for Sempronio) and Elicia.

Four factotums with the names of Pleberio, Alisa, Lucrecia and Melibea (with a flower).

Four factotums: a tower with various people on top of and within it, Elicia with a black mourning mantle, Areúsa, Sosia (image used for another character in act IX).

Four factotums: a building with two people inside, Areúsa, Elicia, Centurio (image used for another character in another act XI).

Lucrecia and Melibea behind the crenellated walls of the garden that Calisto is scaling, on the right, two armed servants, Sosia and Tristán.