Browse Items (3223 total)

Representation of the Reina Sofía Municipal Theater, Benavente, 2010
Company: Las Nueve Menos Cuarto
Genre: Drama
Approximate duration: 1 h. 45 min.

Cast:
Pilar García- Celestina
Bini Saiz- Calisto
Marta Martínez- Melibea
Frutos Martínez- Sempronio
Cristóbal Martínez- Pármeno
Xandra Lemolt- Elicia
Carmen…

Representation of the Exprés Theater, Asturias, by Díez, 2016
Brief stage piece presented at the Palacio de la Magdalena in the 2016 Express Theater contest. The overall theme of the piece is "The 7 deadly sins".

Proxeneta, de Dix (1923)

Cover of the La Spiga edition: Milan, 2007
Similarly, the cover of La Spiga (Milano, 2007), reproduces Titian's portrait of the goddess Flora showing her left breast.

William_Dobson.jpg
This painting by Dobson represents Salome receiving the decapitated head of Saint John the Baptist, according to the biblical scene. In this representation, Salomé appears on the right holding a tray, while a young man holds Saint John's head…

Cover of the Sevilla edition, 1536.
A scene composed of two pictures, to the left Calisto and Melibea in the garden, outside a servant with horse, and to the right Celestina knocking on the door with the thread, while Lucrecia looks out the window. This is the model that comes from…

Portada de la edición de Anaya, 2004

The narrator and Albert Bloch in the brothel, by van Dongen (1930 c.)
An illustration made for a book by Marcel Proust À la recherche du temps perdu, published in 1945 by Librairie Gallimard, Paris. Appears to be out of print but is listed on theMetropolitan Museum of Art, New York, United…

Representation in Greece, by Doufexis, 1997

Representation of Miracle Theatre Group, Portland, 2013
Representation directed by Christy Drogosch, of the Miracle Theatre Group. Adaptation: Raquel CarrióProduction: MilagroSponsors: Josie Mendoza and Hugh MackworthDuration: 90 min.Language: Spanish with English subtitlesCast: Bibiana Lorenzo Johnston-…

Bordello scene with sleeping couple.jpg
Other title: Tickled Sleep.

The image shows a couple sleeping in a brothel scene. An old woman who acts as a procuress stands next to the client and holds an object to his face to wake him up.

Representation of the Centro Cultural, City of San Felipe, Uruguay, 2010
Version: Daniel Suárez Marzal.
Teatro sobre Ruedas
Music: Jorge Bell and Carlos García
Staging: Ana Arrospide
Lightning: Ignacio Lena

Cast:
Susana Groisman- Celestina
Angie Oña- Melibea
Fernando Vannet- Calisto
Jorge Bell- Música

The procuress, by Dullaert (1650, c.)
Indoor scene. The image shows a young woman seated, an old woman behind the young woman and a man leaning out of the door. The characters are reminiscent of a brothel scene, where the old woman acts as the young woman's procuress.

La Celestina, by Durán and LaGRUAestudio (2013)
Half of Melibea's body, sad appearance and long hair, and Celestina in the background in a pose that indicates here evil plans. Illustration made for the collective exposition titled "Oficis Extraordinaris," organized by APIV (Professional…

Representation of the Metropolitan Museum of Art, Chicago, 2015
Installation for the Velez Blanco patio of the Metropolitan Museum of Art (Chicago).Puppet Company: Manual Cinema

Representation of the Víctor Villegas Auditorium, Murcia, by Educational Resources Company, 2015

Representation of the Salamanca Plazas and Patios Touristic-Cultural program, Salamanca, 2017
Salamanca, what a sweet name was given to you isthe title of the dramatized route included in the Plazas and Patios program, a Eudologic Productions realization. Through this route, that departs from Plaza de anaya, the participants will be able to…

La Celestina, by Edwmwtal (sic) (2013)
Illustration of La Celestina bu the DeviantArt user Edwmwtal. Note the influence of Walt Disney's stepmother or witch model.

La Celostina, Mexican television character (2000)
Sketches del programa cómico La Hora Pico de El Canal del las Estrellas, México. En cada historia Celestina sale con un hombre diferente, pero nunca falta que malinterprete las acciones de su pareja al estar con otra mujer (viéndola, hablándole) y se…

Representation of El Carro del Heno, 1981
Representation:Mujeres en la Celestina ("Women in the Celestina").Author: Fernando de Rojas.Direction, set design, costumes and musical arrangements: El Carro del Heno.Cast:Manuela Céspedes (Celestina)Lola Puebla (Melibea)Marisol Muñoz (Areusa and…

Celestinas in a 19th century comic magazine, by El Fandango (1891)
Various representations of Celestinas or celestinesque characters in the weekly magazine "El Fandango: Weekly dance dedicated to the beautiful male sex" (1891). We can see the figures that remind of Celestina as old women, with their heads covered…

Poster of the play "Tragicomedy of Calisto and Melibea", of Laboratorio Escénico Univalle, Colombia (2023)
Play "Tragicomedia de Calisto y Melibea; Variaciones sobre La Celestina de Fernando de Rojas" ("Tragicomedy of Calisto and Melibea; Variations on La Celestina by Fernando de Rojas") from the Laboratorio Escénico Univalle. Represented as part of…

Ilustración primera del acto XII de la edición Barcelona, 2013.
La Celestina. Barcelona, Editorial Teide, 2013. Edition and notes by Francesc Serra Balaguer. Introduction and analysis proposal of the work by Judith Moris Campos, and Antonio Pérez Bouza. Illustrations by Elena Odriozola

Ilustración del acto XIX de la edición Barcelona, 2013.
La Celestina. Barcelona, Editorial Teide, 2013. Edition and notes by Francesc Serra Balaguer. Introduction and analysis proposal of the work by Judith Moris Campos, and Antonio Pérez Bouza. Illustrations by Elena Odriozola

Ilustración del acto IV de la edición Barcelona, 2013.
La Celestina. Barcelona, Editorial Teide, 2013. Edition and notes by Francesc Serra Balaguer. Introduction and analysis proposal of the work by Judith Moris Campos, and Antonio Pérez Bouza. Illustrations by Elena Odriozola

Ilustración segunda del acto I de la edición Barcelona, 2013.
La Celestina. Barcelona, Editorial Teide, 2013. Edition and notes by Francesc Serra Balaguer. Introduction and analysis proposal of the work by Judith Moris Campos, and Antonio Pérez Bouza. Illustrations by Elena Odriozola

Ilustración primera del acto I de la edición Barcelona, 2013.
La Celestina. Barcelona, Editorial Teide, 2013. Edition and notes by Francesc Serra Balaguer. Introduction and analysis proposal of the work by Judith Moris Campos, and Antonio Pérez Bouza. Illustrations by Elena Odriozola

Ilustración tercera del acto I de la edición Barcelona, 2013.
La Celestina. Barcelona, Editorial Teide, 2013. Edition and notes by Francesc Serra Balaguer. Introduction and analysis proposal of the work by Judith Moris Campos, and Antonio Pérez Bouza. Illustrations by Elena Odriozola

Ilustración del acto III de la edición Barcelona, 2013.
La Celestina. Barcelona, Editorial Teide, 2013. Edition and notes by Francesc Serra Balaguer. Introduction and analysis proposal of the work by Judith Moris Campos, and Antonio Pérez Bouza. Illustrations by Elena Odriozola

Ilustración del acto V de la edición Barcelona, 2013
La Celestina. Barcelona, Editorial Teide, 2013. Edition and notes by Francesc Serra Balaguer. Introduction and analysis proposal of the work by Judith Moris Campos, and Antonio Pérez Bouza. Illustrations by Elena Odriozola

Ilustración del acto VI de la edición Barcelona, 2013
La Celestina. Barcelona, Editorial Teide, 2013. Edition and notes by Francesc Serra Balaguer. Introduction and analysis proposal of the work by Judith Moris Campos, and Antonio Pérez Bouza. Illustrations by Elena Odriozola

Ilustración del acto VII de la edición Barcelona, 2013.
La Celestina. Barcelona, Editorial Teide, 2013. Edition and notes by Francesc Serra Balaguer. Introduction and analysis proposal of the work by Judith Moris Campos, and Antonio Pérez Bouza. Illustrations by Elena Odriozola

Ilustración del acto VIII de la edición Barcelona, 2013.
La Celestina. Barcelona, Editorial Teide, 2013. Edition and notes by Francesc Serra Balaguer. Introduction and analysis proposal of the work by Judith Moris Campos, and Antonio Pérez Bouza. Illustrations by Elena Odriozola

Ilustración del acto IX de la edición Barcelona, 2013.
La Celestina. Barcelona, Editorial Teide, 2013. Edition and notes by Francesc Serra Balaguer. Introduction and analysis proposal of the work by Judith Moris Campos, and Antonio Pérez Bouza. Illustrations by Elena Odriozola

Ilustración del acto X de la edición Barcelona, 2013.
La Celestina. Barcelona, Editorial Teide, 2013. Edition and notes by Francesc Serra Balaguer. Introduction and analysis proposal of the work by Judith Moris Campos, and Antonio Pérez Bouza. Illustrations by Elena Odriozola

Ilustración segunda del acto XII de la edición Barcelona, 2013.
La Celestina. Barcelona, Editorial Teide, 2013. Edition and notes by Francesc Serra Balaguer. Introduction and analysis proposal of the work by Judith Moris Campos, and Antonio Pérez Bouza. Illustrations by Elena Odriozola

Ilustración primera del acto XIV de la edición Barcelona, 2013.
La Celestina. Barcelona, Editorial Teide, 2013. Edition and notes by Francesc Serra Balaguer. Introduction and analysis proposal of the work by Judith Moris Campos, and Antonio Pérez Bouza. Illustrations by Elena Odriozola

Ilustración segunda del acto XIV de la edición Barcelona, 2013.
La Celestina. Barcelona, Editorial Teide, 2013. Edition and notes by Francesc Serra Balaguer. Introduction and analysis proposal of the work by Judith Moris Campos, and Antonio Pérez Bouza. Illustrations by Elena Odriozola

Ilustración del acto XV de la edición Barcelona, 2013.
La Celestina. Barcelona, Editorial Teide, 2013. Edition and notes by Francesc Serra Balaguer. Introduction and analysis proposal of the work by Judith Moris Campos, and Antonio Pérez Bouza. Illustrations by Elena Odriozola

Ilustración del acto XVI de la edición Barcelona, 2013.
La Celestina. Barcelona, Editorial Teide, 2013. Edition and notes by Francesc Serra Balaguer. Introduction and analysis proposal of the work by Judith Moris Campos, and Antonio Pérez Bouza. Illustrations by Elena Odriozola

Ilustración del acto XVII de la edición Barcelona, 2013.
La Celestina. Barcelona, Editorial Teide, 2013. Edition and notes by Francesc Serra Balaguer. Introduction and analysis proposal of the work by Judith Moris Campos, and Antonio Pérez Bouza. Illustrations by Elena Odriozola

Ilustración del acto XVIII de la edición Barcelona, 2013.
La Celestina. Barcelona, Editorial Teide, 2013. Edition and notes by Francesc Serra Balaguer. Introduction and analysis proposal of the work by Judith Moris Campos, and Antonio Pérez Bouza. Illustrations by Elena Odriozola

Ilustración del acto XX de la edición Barcelona, 2013.
La Celestina. Barcelona, Editorial Teide, 2013. Edition and notes by Francesc Serra Balaguer. Introduction and analysis proposal of the work by Judith Moris Campos, and Antonio Pérez Bouza. Illustrations by Elena Odriozola

Ilustración del acto XXI de la edición Barcelona, 2013.
La Celestina. Barcelona, Editorial Teide, 2013. Edition and notes by Francesc Serra Balaguer. Introduction and analysis proposal of the work by Judith Moris Campos, and Antonio Pérez Bouza. Illustrations by Elena Odriozola

Material preliminar primero de la edición Barcelona, 2013.
La Celestina. Barcelona, Editorial Teide, 2013. Edition and notes by Francesc Serra Balaguer. Introduction and analysis proposal of the work by Judith Moris Campos, and Antonio Pérez Bouza. Illustrations by Elena Odriozola

Material preliminar segundo de la edición Barcelona, 2013.
La Celestina. Barcelona, Editorial Teide, 2013. Edition and notes by Francesc Serra Balaguer. Introduction and analysis proposal of the work by Judith Moris Campos, and Antonio Pérez Bouza. Illustrations by Elena Odriozola

Representation of the Fiesta Corral Cervantes, Madrid, by Elías, 2020
ARTISTIC TEAM Author: Fernando de Rojas Dramaturgical adaptation: Antonio Campos Direction and scenic space: Lluís Elías Company: Albacity Corporation Production: Albacity en colaboración con la Fundación Siglo de Oro Lighting: Fernando Martínez…

Representation of the Olimpia Theater, Villa del Río, Cordoba, by EMAEJ (2013)
Celestina ComedyParody of La Celestina by Fernando de Rojas Theatrical performance at the event Entre monólogos anda el juego ("Between monologues and the game") 2013 “Las Carvas” Carnival AssociationLighting and Sound: Jose Mantas "Pote" Jesús…

La Celestina, by EminaAcqua (sic) (2009)

Fotografía de La Celestina, de Emotional Books (2017)
Emotional books is a proyect that joins literature and photography through the staging of the selected play.

Eclogue of Plácida and Vitoriano, by Juan del Encina (1518.c)
Same illustration used for the argument opening Fadrique de Basilea's Burgos 1499 edition of the Comedia de Calisto y Melibea.

Other title: Egloga nueuame[n]te trobada por juan d[e]l enzina : En la qual se introduzen dos enamorados llamada ella…

Cover of the Losada: Buenos Aires edition, 1967
This cover features a drawing of a woman with her head covered. It is drawn in blue tones and appears to be inspired by certain cubist styles.

First illustration from act I from the Paris edition (1989)
Calisto and Melibea's first encounter.

Second illustration from act I from the Paris edition (1989)
Sempronio playing the guitar for his master.

Third illustration from act I from the Paris edition (1989)
Celestina and Sempronio.

Fourth illustration from act I from the Paris edition (1989)
Celestina's spell (this illustration corresponds to Rojas' act III).

Fifth illustration from act I from the Paris edition (1989)
Calisto gives Celestina 100 gold coins.

Illustration from act II from the Paris edition (1989)
Pármeno and Calisto riding his horse.

Illustration from act III from the Paris edition (1989)
Celestina walking towards Melibea's house.

First illustration from act IV from the Paris edition (1989)
Alisa and her page.

Second illustration from act IV from the Paris edition (1989)
Celestina speaks with Melibea.

Illustration from act V from the Paris edition (1989)
Sempronio and Celestina.

First illustration from act VI from the Paris edition (1989)
Pármeno and Sempronio.

Second illustration from act VI from the Paris edition (1989)
Celestina and Pármeno (?).

Illustration from act VIII from the Paris edition (1989)
Celestina and Areúsa.

Illustration from act IX from the Paris edition (1989)
Dinner at Celestina's house.

First illustration from act X from the Paris edition (1989)
Melibea and Celestina.

Second illustration from act X from the Paris edition (1989)
Lovesick Melibea.

First illustration from act XI from the Paris edition (1989)
Calisto waiting for news from Celestina.

Second illustration from act XI from the Paris edition (1989)
Sempronio and Calisto (?).

First illustration from act XII from the Paris edition (1989)
Sempronio and Pármeno accompanying their master Calisto.

Second illustration from act XII from the Paris edition (1989)
Calisto approaches Melibea's door.

Third illustration from act XII from the Paris edition (1989)
Pármeno and Sempronio.

Fourth illustration from act XII from the Paris edition (1989)
Celestina's death.

First illustration from act XIV from the Paris edition (1989)
Lucrecia and Melibea in the garden.

Second illustration from act XIV from the Paris edition (1989)
Melibea's mansion.

Illustration from act XVIII from the Paris edition (1989)
The pact with Centurio.

First illustration from act XIX from the Paris edition (1989)
Lucrecia and Melibea.

Second illustration from act XIX from the Paris edition (1989)
Calisto's death.

Illustration from act XX from the Paris edition (1989)
Melibea's death.

Illustration from act XXI from the Paris edition (1989)
The celestinesca city.

Representation of the Teatro El Salvador, San Salvador, by Escalante, 2016
Teatro El Salvador y Asociados
Lead: Mario Vásquez

First illustration of act I from the Barcelona edition (1883)
Melibea in the garden, in the opening scene of the work (p. 36). Alone in the vegetation, with long plaits and a wall in the background.

Second illustration of act I from the Barcelona edition (1883)
Sempronio's discussion with Celestina and Elicia about whether there were noises coming from the floor above (p. 43). The three characters, and a staircase in the background. Sempronio and Celestina argue behind, Elicia appears to be crying or…

Third illustration of act I from the Barcelona edition (1883)
Sempronio and Celestina arrive at the door of Calisto's house (p. 46). He is knocking on the door.

Fourth illustration of act I from the Barcelona edition (1883)
Pármeno and Calisto descending the staircase while Celestina and Sempronio, not included in the image, wait for them below (p. 52).

Illustration of act II from the Barcelona edition (1883)
Calisto leaving his house on horseback, and Pármeno, cursing him in the background (p. 73).

First illustration of act III from the Barcelona edition (1883)
Vignette with a portrait of a woman, supposedly Elicia (p. 81).

Second illustration of act III from the Barcelona edition (1883)
Celestina performing her spell in her house in front of the fire (p. 83).

First illustration of act IV from the Barcelona edition (1883)
A somewhat contemporary image of the devil as an illustration of Celestina's words a few lines before "Por aquí anda el diablo" ("Here walks the devil") (p. 90.).

Second illustration of act IV from the Barcelona edition (1883)
Celestina's first visit to Melibea's house, who stands angrily from her chair and reproaches her for her business there (p. 97).

Third illustration of act IV from the Barcelona edition (1883)
Melibea hands over her cord to Celestina (p. 103). The scene takes place in the garden.

Illustration of act V from the Barcelona edition (1883)
Calisto and Pármeno at the window watching Celestina near the house with the cord (we do not see Celestina) (p. 111).

First illustration of act VI from the Barcelona edition (1883)
Calisto receives Celestina at his house, who reasons before handing over the cord. Decoration of weapons and urns (p. 114).

Second illustration of act VI from the Barcelona edition (1883)
Calisto takes the cord from Celestina's hands (p. 125).

Third illustration of act VI from the Barcelona edition (1883)
Calisto embraces the cord (p. 131).

First illustration of act VII from the Barcelona edition (1883)
Celestina goes to the bed in which Areúsa is lying (p. 143).

Second illustration of act VII from the Barcelona edition (1883)
Celestina descends the stairs leaving Pármeno and Areúsa in bed (p. 149).

First illustration of act VIII from the Barcelona edition (1883)
Pármeno sees and greets Sempronio from afar (p. 155).

Second illustration of act VIII from the Barcelona edition (1883)
Pármeno and Sempronio comment on the situation of their master, who is in bed thinking about love (p. 160). Vignette with black background.
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