Browse Items (3223 total)

Scene of Calisto climbing the ladder to the Melibea's garden protected by two servants. Within Lucrecia and Melibea wait. The same engraving is used again in act XIX

Factotums of houses, Elicia with her head covered (image used for Alisa in act IV), Centurio (image with turban used previously for Sempronio), Areúsa and a tree

Factotums of Melibea, Lucrecia, Alisa (the same image used on act IX for Celestina), Pleberio and a tree

Factotums of houses, Elicia (Image used in act IX for Celestina and in act XVI for Alisa), a woman with the erroneous name of Sosia, Areúsa and a tree

Factotums of a tree, Areúsa covered (Image used previously for Elicia and Alisa), Centurio (image used previously for Pármeno and Sempronio), Elicia and houses

The same engraving as in act XIV which shows Calisto with two servants climbing into Melibea's garden,where she is waiting for him with Lucrecia

Scene of Tristán and Sosia removing the body of Calisto fallen beside the ladder

Factotums of a tree, Melibea, Lucrecia, Pleberio and houses

The scene of Melibea's suicide in which she throws herself from the tower while Pleberio and a female character watch the event. Note the prominence of the lock on the door of the tower to show that the door is locked. This image is of a simpler…

Calisto and Melibea are in the walled garden on the left. Celestina is carrying the rosary, the string and a walking stick while knocking on a door and a young woman (Lucrecia) appears at the window to see who is knocking.

Five factotums and six names on top: Calisto, Melibea, Sempronio, Pármeno, Celestina, Elicia, Crito. Celestina is carrying the rosary and a walking stick.

Drop cap letter E of the first words of the play, "In this I see..." Within the letter there is a saint with a candle or a candelabra.

Factotum with five blocks: houses, Calisto, Sempronio, Pármeno and houses. Sempronio has a beard and Pármeno is holding a bag. The houses are mirror images of a same model.

Factotums of houses, Sempronio, Celestina, Elicia and the same houses inverted. Celestina is holding a rosary and a walking stick, same image used before.

Factotums: houses, Lucrecia, Celestina, Alisa and Melibea. They are speaking in pairs, Celestina with Lucrecia and Alisa with Melibea. Celestina and Alisa are characterized as old women with their heads covered.

Factotums: houses, Celestina, Sempronio, Pármeno and Calisto.

Factotums of houses, Calisto, Celestina, Pármeno and Sempronio.

Factotum of five blocks: houses, Calisto, Sempronio, Pármeno and houses. Sempronio has a beard and Pármeno is holding a bag. The houses are mirror images of a same model.

Factotums of Pármeno, Celestina, Aréusa, Elicia and houses.

Five factotums and six names above: Sempronio, Pármeno, Celestina, Elicia, Lucrecia, Areúsa.

Factotums of Melibea, Celestina, Alisa, Lucrecia and houses, the characters speaking in pairs.

Factotums of Calisto, Lucrecia, Melibea, Pármeno and Sempronio.

Two and half minute video uploaded to YouTube in which the suicide of Melibea is represented with Playmobil figures and background voice.

"Brief summary of the argument of the play La Celestina"
Six minute silent video in which an electronic blackboard and a series of drawings is used to summarize the argument. Educational material?? Note the use of modern characters in the drawings.

School project, 50 minute video. Described on the YouTube page as "Adaptation of the classic by Fernando de Rojas". Audiovisual project by the grade 11 students from Bovalar Secondary School (2009-2010 school year) from the Castilian Language and…

Factotums of Celestina, Calisto, Sempronio, Pármeno and Elicia.

Factotums of Alisa, Pleberio, Celestina, Elicia and houses. Exceptionally the names are underneath instead of above the figures.

Judge and two soldiers with Pármeno and Sempronio (one on the floor, the other jumping out the window) on the left side and on the right, Pármeno and Sempronio kill Celestina with swords while Elicia pulls out her own hair behind Celestina. Curiously…

Factotums of buildings, Calisto, Tristán, Sosia and buildings. Tristán and Sosia are armed with swords.

Pármeno and Sempronio's execution with two soldiers, judge, Sosia contemplating him and executioner wearing a turban. One of the executed carries a cross in hand.

Factotums of Melibea, Lucrecia, Sosia, Tristán and Calisto.

Sosia and Tristán are armed in the street while Calisto goes up the staircase beside Melibea's garden, who is waiting for him inside with Lucrecia.

Factotums of Elicia, the moço (sic), Centurio, Areúsa and houses.

Factotums of Melibea, Lucrecia, Alisa, Pleberio and houses.

Factotums of houses, Elicia, Aréusa, Sosia and houses.

Factotums of houses, Aréusa, Elicia, same unnamed character called the "moço" as in the illustration from act XV, and Centurio.

Five factotums and the six names of Traso, Centurio, Aréusa, Elicia, Terencia and Tiburcia.

Factotums of Tristán, Sosia, Calisto, Melibea and Lucrecia.

Dead Calisto is removed by Tristán and Sosia. In the background, a ladder and the garden wall. Note the detail that Calisto's shoes are on the ground.

Dead Calisto is removed by Tristán and Sosia. In the background, a ladder and the garden wall. Note the detail that Calisto's shoes are on the ground.

Melibea throws herself from the tower while Pleberio watches.

Factotums of houses, Alisa and Pleberio.

Comedic summary of La Celestina in 2 minutes with moving figures and Madrid zarzuela type accent.

Factotums of buildings, Lucrecia, Celestina, Alisa and Melibea.

Celestina, Melibea, Lucrecia, Calisto, Sempronio and a dog. Falcon and horse. Celestina holding her rosary and Calisto the chain and falcon. Note the detail of the horse's testicles that can be seen from behind.

Factotums of buildings, Calisto, Pármeno, Sempronio and Celestina.

Factotums of Calisto, Celestina, Pármeno and Sempronio.

Factotums of Celestina, Pármeno, Areúsa, Elicia and buildings.

Factotums of Calisto, Sempronio, Pármeno and Areúsa.

Factotums of Sempronio, Pármeno, Celestina, Lucrecia and Areúsa.

Factotums of Melibea, Celestina, Lucrecia and Alisa.

Factotums of Calisto, Celestina, Pármeno, Sempronio and Elicia.

Factotums of Pleberio, Alisa, Celestina and Alicia.

Two sequences that simultaneously show Celestina's death, Pármeno and Sempronio jumping from the window, and their sentence by the judge.

Pármeno and Sempronio's execution.

Calisto scaling Melibea's garden wall accompanied by Sosia and Tristán. Melibea and Lucrecia wait inside. The same image is used later in act XIX.

Factotums of houses, Elicia, Centurio, Areúsa and a tree.

Factotums of Melibea, Lucrecia, Alisa and Pleberio.

Factotums of houses, Elicia Sosia, Areúsa and a tree.

Factotums of houses, Areúsa, Centurio, Elicia and a tree.

Calisto scaling the wall of Melibea's garden accompanied by Tristán and Sosia while Melibea and Lucrecia wait within. The same image used in act XIV.

Calisto, dead, is carried away by Sosia and Tristán.

Factotum of a tree, Lucrecia, Pleberio and houses.

Melibea's suicide, as she throws herself from the tower while two male (Pleberio and another) and two female (Alisa and Lucrecia) characters watch.

Calisto and Melibea are in the walled garden on the left. Celestina is carrying the rosary, string and a cane knocking on a door and a young woman (Lucrecia) leans out of the window to see who is knocking.

Five factotums and seven names above: Calisto, Melibea, Sempronio, Pármeno, Celestina, Elicia, Crito. Celestina is carrying the rosary and a cane. Some of the images are different from the equivalent images used in the Toledo edition (1526).

Five block factotum: houses, Calisto, Sempronio, Pármeno and houses. Sempronio has a beard and Pármeno is holding the bag. The houses are mirror images of a same model.

Factotums of houses, Sempronio, Celestina, Elicia and a tree. This image changes two characters and the tree with respect to the equivalent model from the Toledo edition (1526).

Factotums: houses, Lucrecia, Celestina, Alisa and Melibea. They speak in pairs, Celestina with Lucrecia and Alisa with Melibea. Celestina and Alisa are characterized as old women with their heads covered. The only difference from the Toledo edition…

Factotums: houses, Celestina, Sempronio, Pármeno and Calisto.

Factotums of houses, Calisto, Celestina, Pármeno and Sempronio.

Factotums of Pármeno, Celestina, Areúsa, Elicia and houses.

Factotums of Pármeno, Celestina, Areúsa, Elicia and houses.

Five factotums and six names above: Sempronio, Pármeno, Celestina, Elicia, Lucrecia, Areúsa.

Factotums of Melibea, Celestina, Alisa, Lucrecia, all speaking in pairs, and houses.

Factotums of Celestina, Calisto, Sempronio, Pármeno and Elicia.

Factotums of Calisto, Lucrecia, Melibea, Pármeno and Sempronio.

Judge and two soldiers with Pármeno and Sempronio (one on the ground, the other jumping out the window) on the left side and on the right, Pármeno and Sempronio kill Celestina with swords while Elicia tears out her hair behind Celestina. Curiously…

Factotums of buildings, Calisto, Tristán, Sosia and buildings. Tristán and Sosia are wielding swords.

Pármeno and Sempronio's execution with two soldiers, a judge, Sosia observing and an executioner wearing a turban. One of the executed has a cross in his hand.

Factotums of Melibea, Lucrecia, Sosia, Tristán and Calisto.

Sosia and Tristán armed in the street while Calisto climbs the ladder to Melibea's garden. She waits for him inside with Lucrecia.

Factotums of Elicia, the moço (sic), Centurio, Areúsa and houses.

Factotums of Melibea, Lucrecia, Alisa, Pleberio and houses.

Factotums of casas, Elicia, Areúsa, Sosia and houses.

Factotums of houses, Areúsa, Elicia, unnamed character as the same one called "el moço" in the illustration from act XV, and Centurio.

Five factotums. This engraving does not seem to be in the Toledo edition (1526), although the characters are a recombination of the same usual images.

Factotums of Sosia, Tristán, Calisto, Melibea and Lucrecia. In the Toledo edition (1526) the first character on the left is Tristán and he has a different image.

Tristán and Sosia remove the dead Calisto, ladder and the garden wall in the background. Note that Calisto's shoes are on the ground.

Melibea throws herself from the tower while Pleberio watches.

Factotums of a tower, Pleberio, Lucrecia and Melibea. Above the tower appear the words "de la torre abajo." This image changes in order and attribution of the characters of the equivalent image in the Toledo edition (1526).

Representation directed by José Ricardo Morales of the Teatro experimental of the Universidad de Chile. Cutting from the official program. Contains an illustrated representation and the cast. Technical team: Raúl Aliaga, Props; Juan Cruz, Makeup;…

Author: Fernando de Rojas.Adaptation: Alejandro CasonaDirection: José Osuna, helped by Luis Balaguer.Decorations and figurines: Emilio Burgos, made by Viuda de López y Muñoz.Director of the company: José TamayoLope de Vega companyCast: Milagros Leal,…

Representation of the Compañía Lope de Vega in various theaters and festivals. Directed by José Osuna. Revision by Alejandro Casona. Premiered by Esperanza Grases, Milagros Leal, and José Rubio.Record of representation in CDAEM, Spanish…

Representation directed by Salvador Garcini of the Teatro de la Nación del IMSS in the Teatro Julio Prieto (Ciudad de México, México). Official program and newspaper clippings with the cast and photos of the actors.

Representation directed by David Gilmore in Nuffield Theatre, in the University of Southampton. Pictures of the representation,clippings of newspaper theater reviews and advertising poster showing the actors and parts of the stage and an illustrated…

Version: José Ruibal Scenography: Marcelo Grande Clothing: Marcelo Grande Lighting: Quico Gutiérrez (AAI) Production: Focus Cast: Amparo Soler Leal- Celestina Romà Sánchez- Calisto Bea Guevara- Melibea Paul Berrondo- Sempronio Xavier Ruano- Pármeno…

Representation directed by Phillip Prowse by The Citizens Company for the Citizens Theatre, in Glasgow. Photos of the representation by photographer John Vere Brown. The pictures show the actors and parts of the stage.

Representation directed by Carlos Giménez of the fundación Rajatabla (Venezuela) tour 1987-1989. Clippings of theater reviews with photos of the actors from the newspapers El Público, Boletín, andLa Prensa. Version by Carlos Giménez based on the…

A black background with a colourful and semi-abstract representation of Celestina. A line, representing the thread she sells, forms loops and knots, referencing the way she ties her victims up into her schemes. She clutches the money bag in her right…