The cover features a fragment of an unidentified painting from the Dutch school that depicts a brothel or tavern scene. An old woman reads a letter to a young woman, who has a child in her arms, while a man stands behind them, laughing.
Celestina, Melibea, Lucrecia, Calisto and Sempronio, and dog, falcon and horse. Celestina holding a rosary and Calisto the string and falcon. Note the detail of the horse's testicles that can be seen from behind.
Calisto and Melibea embrace in the garden while Lucrecia stands guard or spies (p. 314). The footnote at the bottom of the page says: "Jamás querría, señora, que amaneciese, según la gloria y descanso que mi sentido recibe" ("My lady, I never want…
Melibea goes out by night, accompanied by Lucrecia (p. 229). One of the two holds her index finger to her lips in a signal to be quiet. The foot of the image says: "Qué harían si mi cierta salida supiesen?" ("What would they do if they knew of my…
Banquete scene in Celestina's house (p. 178). She is represented with an envious expression, contemplating the lovers while they kiss, while she grabs the jar and cup of wine to serve herself once more. At the foot of the page it says; "Besáos y…
Celestina, carrying the spool of thread, is knocking at the door of Pleberio's hourse; Melibea and Calisto (with the falcon) are talking. Trees and building in the background.
The cover features a fragment of the print from the third act of the Burgos edition of 1499, in which Celestina appears with the string, knocking on Melibea's door. See the related item.
A fragment of an unidentified painting depicting a woman combing her hair and another woman with her head covered. Although they are both young, it could be a representation of Celestina and Melibea.
A silhouette of the old woman- taken from an unidentified painting- and the words that Melibea says to Celestina to end of the fourth act: "If you had asked me sooner you would have received it. Go with God, for your message did not benefit me and…
The cover features a fragment of an engraving from an older edition, positioned here within an orange circle, that shows Celestina knocking on a door while Calisto and Melibea converse with each other beside her.
A somewhat contemporary image of the devil as an illustration of Celestina's words a few lines before "Por aquí anda el diablo" ("Here walks the devil") (p. 90.).
Sempronio's discussion with Celestina and Elicia about whether there were noises coming from the floor above (p. 43). The three characters, and a staircase in the background. Sempronio and Celestina argue behind, Elicia appears to be crying or…
Double image. Left: Calisto inside his house, while Pármeno goes out to receive Sempronio and Celestina, who are arriving at the house from outside on the right. A block of houses in the right hand margin. The image is repeated in Act V. The first…
A naive-style drawing, in colour and created predominantly with straight lines. It depicts an old woman, laughing and holding a cane. Beneath her image, a couple is hugging. A tower features in the background.
An unidentified painting from the Dutch school that depicts a scene in a brothel or tavern. An old woman reads a letter to a young woman, who has a child in her arms, while a man laughs behind them.
An old, unidentified illustration of two women hugging as a greeting, similar to the meeting between Saint Elizabeth and the Virgin Mary. In this case, it represents one of the encounters between Celestina and her protegees or friends.
A depiction of Celestina's expression as she observes two lovers - possibly Pármeno y Areúsa - in a bed. The drawing is red and white and imitates medieval-style images.
A drawing of a young couple and an older woman behind them, in the style of a portrait. The older woman, presumably acting as both a chaperone and matchmaker, rests a hand on the young woman's shoulder.
Scene Celestina's death at the hands of Pármeno and Sempronio on the right. The vignette on the left represents their fall from the window and the judge with his guard. There are no identifications of the characters and it is the first of the…
Calisto, building with a person identified as Lucrecia, building with two people, and one identified as Melibea, while on the right side two figures identified as Sempronio and Pármeno.