Celestina, carrying the spool of thread, is knocking at the door of Pleberio's hourse; Melibea and Calisto (with the falcon) are talking. Trees and building in the background.
On the left, Calisto and Melibea in the walled garden, Celestina with the rosary, thread and a cane knocking on a door and a young woman (Lucrecia) leaning out the window to see who is calling at the door. This is an edition with 25 illustrations…
A red version of an older (white) cover that depicts Celestina approaching a house. The image is a reproduction of a section of the title page engraving from the Valencia edition (1514). Two figures can be seen in the garden, and two others in the…
Factotums of Calisto and Melibea in positions of arguing, each with a finger raised. Calisto with hat in hand. The names of the characters written above.
A multi-colored depiction of the characters. They are all somewhat abstract, resulting in no clear or obvious identification of any of the characters, including the iconic Celestina.
The cover features a copy of the print from the cover of the Sevilla edition of 1523. The cover is green and yellow, and depicts Calisto and Melibea with a hunting dog at their feet.
On the cover of this work there is a woman holding a book and two children on the left. The cover image appears frequently in other works published by the publisher as well.
A scene composed of two pictures, to the left Calisto and Melibea in the garden, outside a servant with horse, and to the right Celestina knocking on the door with the thread, while Lucrecia looks out the window. This is the model that comes from…
A variant of the covers of Seville by Cromberger, but completely redesigned. It now also includes a dog and the initials of Sempronio and Celestina have been added on top of the corresponding characters. See the complete description in the edition of…
Celestina, Melibea, Lucrecia, Calisto and Sempronio, and dog, falcon and horse. Celestina holding a rosary and Calisto the string and falcon. Note the detail of the horse's testicles that can be seen from behind.
A composite scene showing Celestina with the thread knocking at a door, in the centre Melibea and Calisto, with Lucrecia behind them. In the right margin, an unidentified servant with a horse, and trees in the background. The first two initials of…
A composed scene showing Celestina with the thread knocking at a door, in the centre Melibea and Calisto, with Lucrecia behind them. In the right margin, an unidentified servant with a horse, and trees in the background. The first two initials of…
A composite scene showing Celestina with the thread knocking at a door, in the center Melibea and Calisto, with Lucrecia behind them. In the right margin, an unidentified servant with a horse, and trees in the background. The first two initials of…
Original title: Segunda comedia de Celestina ("Second Comedy of La Celestina").
Cover by Alberto Corazón. Madrid : Ciencia Nueva, D. L. 1968.
Illustration of two young lovers which recalls various cover pages of La Celestina of the era.
Composite scene of Celestina knocking on the door with the thread, Lucrecia at the window, Calisto and Melibea in the garden, a horse and a woman. A low quality image that seems to be inspired by the cover of the edition of Valencia, 1514 or of…
A composed scene showing Celestina with the thread knocking at a door, in the centre Melibea and Calisto, with Lucrecia behind them. In the right margin, an unidentified servant with a horse, and trees in the background. The first two initials of…
Fictional cover of La Repulsiva Celestina ("The Repulsive Celestine") by Fernando de Rojas, prepared by Seventinain insuperhero style.In the image appears a woman dressed in black, with a cape, skirt and stockings and with blue hair that represents…
A coloured drawing of Celestina in the foreground, with Calisto and Melibea in the garden in the background. Note the influence of Don Juan Tenorio by Zorilla. Another edition with this cover was printed in 1934.
The cover features an image of the painting Wealth is Looking (1663) by the Dutch artist Jan Steen. The image depicts a scene in a hostel from the sixteenth or seventeenth century that features both men and women.
Compendio De La Obra Maestra La Celestina "Compendium of the Masterpiece La Celestina", by Fernando de Rojas. On the cover appears the face of a young woman with her head covered.
The cover features an image of the painting Woman with raven (1904) by Pablo Picasso. The painting is rotated on the cover, since in the original the woman appears looking the other way.
On the cover Calisto and Melibea appear embracing near a pillar. To the right and in the background appears Celestina with her head covered and looking at the couple.
A banner is carried by the two figures -one male and one female- bearing the inscription: "como quien sale a justar" ("as one who goes out to fair"). The man and the woman are also holding up a sheaf of wheat or wild flowers. In the background, a…
A factotum of an older woman with a rosary or beads tucked into her belt and with the name Celestine in red in a border.See the complete work: Paris (1527)
Four images of the work surrounding the title and other information.
Note that the most tragic and violent scenes have been chosen: the execution of Pármeno and Sempronio, the death of Celestina, the death of Melibea and the death of Calisto. In the…
On the cover there is an animal-like figure with wings and horns and two smaller figures on both sides.This edition is an Italian translation of a theatrical adaptation by Alfonso Sastre that was made the same year: Representation of the Teatro…
The image is a collage of two unrelated paintings, a fragment showing a young bourgeois couple in the painting A Goldsmith in Shopby Peter Christus (1449), and an older woman taken grom Botticelli's allegorical female figure for Repentance in his…
A multi-colored print from the cover of the old Toledo edition of 1538. It depicts Celestina selling thread. On the back, there is a facsimile print of the only print from the Juan de Navarra, Valencia 1575,edition,which depicts Melibea's suicide.…
A black-and-white print positioned against a red background. The print depicts Calisto on his bed, pining after his first disastrous encounter with Melibea. Behind him, Sempronio approaches with Celestina, having gone to fetch her.
The cover features a fragment of an engraving from an older edition, positioned here within an orange circle, that shows Celestina knocking on a door while Calisto and Melibea converse with each other beside her.
A representation of Celestina. Seated against a stone wall and looking to her right, with her open hand resting on one knee, she gives the impression that she is begging for alms in the street. The white veil and dark clothing recalls her tendency to…
The cover contains three fragments of three acts from the old Valencia edition (1514)in yellow on an orange background:the engraving of act I,the engraving of act IVandthe engraving of act XXI.
An old, unidentified illustration of two women hugging as a greeting, similar to the meeting between Saint Elizabeth and the Virgin Mary. In this case, it represents one of the encounters between Celestina and her protegees or friends.
The cover art depicts a young couple, clearly meant to be Calisto and Melibea, embracing. In the background, Celestina watches them with a mischievous smile.
The cover features a young woman, sitting with her hands clasped in her lap, looking out towards the reader. On the right, an old man offers her a box. To the left, a younger man appears to be attempting to draw her attention.
It is the first…