Browse Items (3223 total)

Ilustración del acto IX de la edición Oxford, 2016
El Árbol de los clásicos Collection. © Oxford University Press Spain, 2015.

Illustrations: Marina Seoane Pascual
Web: marinaseoane.com

Ilustración del acto XII de la edición Oxford, 2016
El Árbol de los clásicos Collection. © Oxford University Press Spain, 2015.

Illustrations: Marina Seoane Pascual
Web: marinaseoane.com

Ilustración del acto XIV de la edición Oxford, 2016
El Árbol de los clásicos Collection. © Oxford University Press Spain, 2015.

Illustrations: Marina Seoane Pascual
Web: marinaseoane.com

Ilustración del acto XVIII de la edición Oxford, 2016
El Árbol de los clásicos Collection. © Oxford University Press Spain, 2015.

Illustrations: Marina Seoane Pascual
Web: marinaseoane.com

Ilustración del acto XIX de la edición de Oxford, 2016
El Árbol de los clásicos Collection. © Oxford University Press Spain, 2015.

Illustrations: Marina Seoane Pascual
Web: marinaseoane.com

Ilustración del acto XX de la edición Oxford, 2016
El Árbol de los clásicos Collection. © Oxford University Press Spain, 2015.

Illustrations: Marina Seoane Pascual
Web: marinaseoane.com

Ilustración del acto XXI de la edición Oxford, 2016
El Árbol de los clásicos Collection. © Oxford University Press Spain, 2015.

Illustrations: Marina Seoane Pascual
Web: marinaseoane.com

Ilustración del acto III de la edición Oxford, 2016
El Árbol de los clásicos Collection. © Oxford University Press Spain, 2015.

Illustrations: Marina Seoane Pascual
Web: marinaseoane.com

Ilustración del acto VIII de la edición Oxford, 2016
El Árbol de los clásicos Collection. © Oxford University Press Spain, 2015.

Illustrations: Marina Seoane Pascual
Web: marinaseoane.com

Ilustración segunda del acto IX de la edición Oxford, 2016
El Árbol de los clásicos Collection. © Oxford University Press Spain, 2015.

Illustrations: Marina Seoane Pascual
Web: marinaseoane.com

Ilustración del acto XVI de la edición Oxford, 2016
El Árbol de los clásicos Collection. © Oxford University Press Spain, 2015.

Illustrations: Marina Seoane Pascual
Web: marinaseoane.com

Illustration of Celestina's dinner from the Paris edition (1949)
Illustration from the French edition from Les Bibliophiles de France, illustrations by Maurice Lalau for the edition. One illustration also appears in Celestinesca.

Title page from the first volume from the Paris edition (1949)
Title page from the edition of La Celestina by Les Bibliophiles de France. Illustrations by Maurice Lalau, one illustration from the edition appears also in Celestinesca.

Ilustración primera del acto I de la edición Barcelona, 2013.
La Celestina. Barcelona, Editorial Teide, 2013. Edition and notes by Francesc Serra Balaguer. Introduction and analysis proposal of the work by Judith Moris Campos, and Antonio Pérez Bouza. Illustrations by Elena Odriozola

Ilustración tercera del acto I de la edición Barcelona, 2013.
La Celestina. Barcelona, Editorial Teide, 2013. Edition and notes by Francesc Serra Balaguer. Introduction and analysis proposal of the work by Judith Moris Campos, and Antonio Pérez Bouza. Illustrations by Elena Odriozola

Ilustración del acto III de la edición Barcelona, 2013.
La Celestina. Barcelona, Editorial Teide, 2013. Edition and notes by Francesc Serra Balaguer. Introduction and analysis proposal of the work by Judith Moris Campos, and Antonio Pérez Bouza. Illustrations by Elena Odriozola

Ilustración del acto V de la edición Barcelona, 2013
La Celestina. Barcelona, Editorial Teide, 2013. Edition and notes by Francesc Serra Balaguer. Introduction and analysis proposal of the work by Judith Moris Campos, and Antonio Pérez Bouza. Illustrations by Elena Odriozola

Ilustración del acto VI de la edición Barcelona, 2013
La Celestina. Barcelona, Editorial Teide, 2013. Edition and notes by Francesc Serra Balaguer. Introduction and analysis proposal of the work by Judith Moris Campos, and Antonio Pérez Bouza. Illustrations by Elena Odriozola

Ilustración del acto VII de la edición Barcelona, 2013.
La Celestina. Barcelona, Editorial Teide, 2013. Edition and notes by Francesc Serra Balaguer. Introduction and analysis proposal of the work by Judith Moris Campos, and Antonio Pérez Bouza. Illustrations by Elena Odriozola

Ilustración del acto VIII de la edición Barcelona, 2013.
La Celestina. Barcelona, Editorial Teide, 2013. Edition and notes by Francesc Serra Balaguer. Introduction and analysis proposal of the work by Judith Moris Campos, and Antonio Pérez Bouza. Illustrations by Elena Odriozola

Ilustración del acto IX de la edición Barcelona, 2013.
La Celestina. Barcelona, Editorial Teide, 2013. Edition and notes by Francesc Serra Balaguer. Introduction and analysis proposal of the work by Judith Moris Campos, and Antonio Pérez Bouza. Illustrations by Elena Odriozola

Ilustración del acto X de la edición Barcelona, 2013.
La Celestina. Barcelona, Editorial Teide, 2013. Edition and notes by Francesc Serra Balaguer. Introduction and analysis proposal of the work by Judith Moris Campos, and Antonio Pérez Bouza. Illustrations by Elena Odriozola

Ilustración segunda del acto XII de la edición Barcelona, 2013.
La Celestina. Barcelona, Editorial Teide, 2013. Edition and notes by Francesc Serra Balaguer. Introduction and analysis proposal of the work by Judith Moris Campos, and Antonio Pérez Bouza. Illustrations by Elena Odriozola

Ilustración primera del acto XIV de la edición Barcelona, 2013.
La Celestina. Barcelona, Editorial Teide, 2013. Edition and notes by Francesc Serra Balaguer. Introduction and analysis proposal of the work by Judith Moris Campos, and Antonio Pérez Bouza. Illustrations by Elena Odriozola

Ilustración segunda del acto XIV de la edición Barcelona, 2013.
La Celestina. Barcelona, Editorial Teide, 2013. Edition and notes by Francesc Serra Balaguer. Introduction and analysis proposal of the work by Judith Moris Campos, and Antonio Pérez Bouza. Illustrations by Elena Odriozola

Ilustración del acto XV de la edición Barcelona, 2013.
La Celestina. Barcelona, Editorial Teide, 2013. Edition and notes by Francesc Serra Balaguer. Introduction and analysis proposal of the work by Judith Moris Campos, and Antonio Pérez Bouza. Illustrations by Elena Odriozola

Ilustración del acto XVI de la edición Barcelona, 2013.
La Celestina. Barcelona, Editorial Teide, 2013. Edition and notes by Francesc Serra Balaguer. Introduction and analysis proposal of the work by Judith Moris Campos, and Antonio Pérez Bouza. Illustrations by Elena Odriozola

Ilustración del acto XVII de la edición Barcelona, 2013.
La Celestina. Barcelona, Editorial Teide, 2013. Edition and notes by Francesc Serra Balaguer. Introduction and analysis proposal of the work by Judith Moris Campos, and Antonio Pérez Bouza. Illustrations by Elena Odriozola

Ilustración del acto XVIII de la edición Barcelona, 2013.
La Celestina. Barcelona, Editorial Teide, 2013. Edition and notes by Francesc Serra Balaguer. Introduction and analysis proposal of the work by Judith Moris Campos, and Antonio Pérez Bouza. Illustrations by Elena Odriozola

Ilustración del acto XX de la edición Barcelona, 2013.
La Celestina. Barcelona, Editorial Teide, 2013. Edition and notes by Francesc Serra Balaguer. Introduction and analysis proposal of the work by Judith Moris Campos, and Antonio Pérez Bouza. Illustrations by Elena Odriozola

Ilustración del acto XXI de la edición Barcelona, 2013.
La Celestina. Barcelona, Editorial Teide, 2013. Edition and notes by Francesc Serra Balaguer. Introduction and analysis proposal of the work by Judith Moris Campos, and Antonio Pérez Bouza. Illustrations by Elena Odriozola

Portada de la edición Barcelona, 2013.

First illustration from act XIV from the Paris edition (1949)
Illustration by Maurice Lalau, made for the French edition of La Celestina, of Les Bibliophiles de France.

Illustration of the lovers' dinner from the Paris edition (1949)
Illustration by Maurice Lalau, made as part of the Les Bibliophiles de France edition.

Fifth illustration from act VIII from the Paris edition (1949)
Illustration perhaps of Elicia or Areusa from the French edition Les Bibliophiles de France, illustrated by Maurice Lalau.

Title page from the second volume from the Paris edition (1949)
Title page from the second volume of La Celestina, translated to French by Les Bibliophiles de France, illustrated by Maurice Lalau. Certain images come from ebay.fr and others from googlebooks.com.

Fourth illustration from act VIII from the Paris edition (1949)
Illustration that appears in the first volume of La Celestina of Les Bibliophiles de France. It seems to refer to Sempronio and Pármeno conspiring against Calisto. Some images come from ebay.fr and others from googlebooks.com.

Third illustration from act VIII from the Paris edition (1949)
Calisto speaking with Sempronio.

Second illustration from act VIII from the Paris edition (1949)
Sempronio and Areúsa.

First illustration from act VIII from the Paris edition (1949)

First illustration from act IV from the Paris edition (1949)
Celestina travelling through what appears to be Melibea's garden with the goal of selling her the string.

Third illustration from act III from the Paris edition (1949)
Illustration of Celestina's spell when she calls upon the devil to help her with tricking Melibea with the string.

Second illustration from act III from the Paris edition (1949)
Illustration of Areúsa and Elicia (?) in Areúsa's bed talking.

First illustration from act III from the Paris edition (1949)
Celestina walking down the street to meet Calisto. Two beggars can be seen on the corner, perhaps as a reference to the previous victims of Celestina's plotting.

Second illustration from act II from the Paris edition (1949)
Market scene, possibly an illustration of Lucrecia carrying out her domestic chores for Melibea's house. Melibea appears in La Celestina of Les Bibliophiles de France.

First illustration from act II from the Paris edition (1949)
Calisto descending some stairs with one of his servants, behind them a chair and a book are left abandoned in the courtyard.

Sixth illustration from act I from the Paris edition (1949)
A couple that looks like Sempronio and Elicia having sexual relations while Celestina faces the fire while cooking or perhaps preparing her spell for the string.

Fifth illustration from act I from the Paris edition (1949)
Illustration from the edition Les Bibliophiles de France, made by Maurice Lalau.

Fourth illustration from act I from the Paris edition (1949)
An illustration of Celestina undressing a young woman who is hiding her eyes, before two men, in the Les Bibliophiles de France version.

Third illustration from act I from the Paris edition (1949)
Illustration that corresponds to the episode where Celestina brings Sempronio to her house so he can have sexual relations with Elicia and another client hidden in the background.

First illustration from act I from the Paris edition (1949)
Illustration of Celestina and a young man, perhaps Sempronio or Calisto, walking outside, with the city in the background as a symbol of the young rich men.

Una vieja, de Ramos (1900 c.)
Engraving byJosé García Ramos,where an old woman can be seen in the middle of a street. In the foreground on the right there is a dog and in the background on the left a silhouette of a person wearing a hat.In Celestinesca, Vol. 26, No.…

Blue (Azul), Celestina self-portrait, by Lee-Warne (2015)
A self-portrait by the photographer Wendy Lee-Warne in the style of the famous painting by Picasso, La Celestina. While she worked on a photographic project whose them was "blue," the photographer's inspiration came from the famous painting and she…

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Cover of the Molino edition, 1942
A representation of Celestina. Seated against a stone wall and looking to her right, with her open hand resting on one knee, she gives the impression that she is begging for alms in the street. The white veil and dark clothing recalls her tendency to…

Portada de la edición Bagatto Libri, 1996

Material preliminar primero de la edición Barcelona, 2013.
La Celestina. Barcelona, Editorial Teide, 2013. Edition and notes by Francesc Serra Balaguer. Introduction and analysis proposal of the work by Judith Moris Campos, and Antonio Pérez Bouza. Illustrations by Elena Odriozola

Material preliminar segundo de la edición Barcelona, 2013.
La Celestina. Barcelona, Editorial Teide, 2013. Edition and notes by Francesc Serra Balaguer. Introduction and analysis proposal of the work by Judith Moris Campos, and Antonio Pérez Bouza. Illustrations by Elena Odriozola

Representation of the Aedo Theatre, Seville, 2016-2017
Season 2016-2017 School campaign for young spectators. Public: E.S.O. Bachillerato students and adults. Duration: 70 min.

Mujer joven, mujer vieja, de Danto (1960)
Woodblock representation inspired by Goya's work: Maja y Celestina from 1824-25, featuring a procuress and her protégé.

Representation of the Colegio del Pilar, Madrid, by Pato, 2011
Estable Theater Group of the Association of Former Students of Colegio del Pilar

Still 1 The Lusty Andalusian (La lozana andaluza), by Chámez (1983)
Presentation

Still 2 The Lusty Andalusian (La lozana andaluza) by Chámez (1983)
The heroine and Rampín.

Still 3 The Lusty Andalusian (La lozana andaluza), by Chámez (1983)
The heroine

Still 4 The Lusty Andalusian (La lozana andaluza), by Chámez (1983)
The heroine's nighttime visits.

Still 5 The Lusty Andalusian (La lozana andaluza), by Chámez (1983)
The heroine and Clarina

Still 6 The Lusty Andalusian (La lozana andaluza), by Chámez (1983)
The heroine and knight.

Still 7 The Lusty Andalusian (La lozana andaluza), by Chámez (1983)
Clarina and a knight

Portada de la edición de Editorial Vasco Americana, 1971
A juvenile edition containing a few colour illustrations of the episodes. This is a rare edition.

The cover features Melibea seated on a bench in the foreground while Calisto stands behind her, both looking towards the reader. A spinning wheel is…

Lo peor es pedir, de Goya (1812)
Una escena durante la guerra entre Francia y España, trantando de cuestiones moralizantes de mantener la honra y morir de hambre, o vender el cuerpo y sobrevivir. Siguiendo el comentario del grabado del Museo del Prado, la mujer vieja que aparece…

Young men and celestina (Majos y celestina), by Lucas Villaamil (1800 c.)

En el garlito, de Alenza y Nieto (1835 c.)
A man kneeled down in front of two ruffians and two young girls (prostitutes perhaps). On the left, an old procuress.

Other title: En el garlito

No quieren, de Goya (1810 c.)
Another engraving by Goya based on the social effects of the war between France and Spain. An interpretation of the Prado Museum names the characters as a young prostitute, alasciviousman, and a celestinesque old woman. This is an interpretation of…

Portada de la edición de De Gassó Hnos, 1977
A greyscale drawing of Celestina possibly casting the spell from the third act, positioned against an orange background.

Alcahueta ofreciendo joyas a una chica joven, de Billoin (1856 c.)

Consejo paternal, de Wille (1765)
The moralizing title hides the fact that the man has no parental relationship with the girl. According to the Philadelphia Museum, a viewpoint of the time would understand very well that the subjects of the painting are a procuress, her protégé and a…

Portada de la edición de Ayrinti Klasik, 2016
Turkish translation.

Photo in the Garden of Calixto y Melibea, by Culla (2016)
A photo of two people, one of them acting in an accusing or threatening way, in the Garden of Calixto and Melibea, on a travel blog by Daniel de Culla.

Photo series of The Story of Melibea (La historia de Melibea), by Constantinou (2014, c.)
Series made byAndreas Constantinoucomposed of nine photos of a model that poses as Melibea. According to the photographer, "My inspiration came after visiting Salamanca and the garden where the story took place, the fiancé (now husband) of my best…

Una vieja alcahueta ofrece joyas a una joven, de Bylert (1630 c.)

Un par de 'escena galante' en un parque, de Janneck (1730 c.)
Una pareja sentados en una mesa con la chaperona o alcahueta vigilando la interacción.

Portada de la edición de Penguin Classics, 1964
A banner is carried by the two figures -one male and one female- bearing the inscription: "como quien sale a justar" ("as one who goes out to fair"). The man and the woman are also holding up a sheaf of wheat or wild flowers. In the background, a…

Postage stamp from Equatorial Guinea (c. 1981)
Postage stamp with copy of the famous painting Celestina, by Picasso (1904).

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Portada de la edición de Selector, 2004
Cover of a modern edition, from the Clásicos Juveniles collection.

Cupid and Celestina in the chicken coop (Cupido y la Celestina en el gallinero), by Luis Debairosmoura (?) (1998)

On the game, by Gutiérrez Solana (1916, c.)
Original title: "Mujeres de la vida"

A group of young women, supposedly prostitutes, and behind them an older woman, that could be their procuress.

Anciana contando dinero (Alegoría de la avaricia), de la Escuela de Gerrit van Honthorst (1633 c.)

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Un caballero encendiendo una pipa de una vela, una mujer mayor derramando de una cacerola y una mujer joven cortando el tabaco - un fragmento, del taller de Gerrit van Honthorst (1633 c.)
Fragmento del cuadro. Nótese la mujer vieja detrás. La escena parece corresponder al modelo de "marrymaking" o reunión con música, comida y bebida en ambientes burdelarios, muy frecuente en la pintura holandesa de la época

La cita, de de Saavedra (1846)
Although a Celestina does not appear in the painting, its composition resembles the prototype that Goya started with his majas on the balcony accompanied by their procuress. This is due to her position on the balcony and the presence of an older…

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Illustration of a procuress from the book Women's Dialogue (Diálogo de las mujeres), by Castillejo (1600)
Generic image of a woman. Note that she does not have her hair covered nor any identifiable accessory typical of a procuress. She has something unidentifiable on her waste.Transcription of the passage of the procuresses, fromCervantes…

Plate painted with gallant scene and procuress, anonymous (c. 1700)
A plate with a scene of a suitor and a young woman; a procuress facilitating the negotiation behind.

Majas and Celestina on a Balcony, by Alenza y Nieto (1834)
Original title: Majas y Celestina en el balcón ("Majas and Celestina on a Balcony").

Note the procuress' enlightening, hook-shaped finger, as well as the handkerchief in the left hand of the seated woman who appears to be crying.

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Madre Wood, la alcahueta popular, de Cruikshank (1820)

El concierto, de Traversi (1750 c.)
A young woman in the center of the painting. To his left, an old woman holding his hand. There are musicians around him and a girl on the right with a dog.

Original title: il concerto (Italian)

Mujer poniédose las medias, de Lautrec (1894 c.)
Other title: Stocking

filipuccio.jpg
This fresco painting portrays a domestic scene. There is a couple in bed and a woman on the corner. The latter could either be their maid or the woman's procuress.

Carta de amor (Alcahueta), de Anónimo (1550 c)
French Art, second half of the 16th century.

El seductor, de Zichy (1891)
A young woman sits on a man's lap. An old procuress stands behind the young woman while holding a glass.

Procuring (Proxenetismo), by Meid (1914)
Instead of a female procuress, the artist Hans Meid shows a procurer offering her protegée to another man.

Alegoria de avaricia, de Moreelse (1621)
The subject of the greedy or usurer old woman is indirectly related to the subject of the procuress, since it uses the same physical prototype.See painting:Vieja usurera, de Ribera (1638).Here the presence of a second character evokes Parmeno's…

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Alegoria de avaricia, de Bor (1630 c.)

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