Browse Items (3223 total)

Very elaborate variant of the composite model taken fromValencia (1514)andSevilla (1523).Illustrated edition with 26 engravings (plus cover) that can be seen by clicking here:Zaragoza (1545).

Three scenes separated by columns. The first is of a couple talking inside a building, the woman seated on a dais, which is thought to be in some way representative of Calisto and Melibea's first meeting. The second is a man that seems melancholic,…

Three men in a street speaking, while a woman watches them from the window. It is unclear which scene of the work is referenced here because the image is so generic.

Sempronio, accompanied by Celestina, arrives at her house, where Elicia is inside, occupied with a task. Oustide, in the background, a crenellated wall with trees behind.

Celestina in Melibea's house, and she, with Lucrecia on a dais, while Alisa leaves with the messenger who has come to call on her. A pet next to one of the women.

Sempronio and Celestina arrive at Calisto's house. He speaks with Pármeno, while seated inside. A bed in the background.

At Calisto's house, Celestina is speaks with him, while Sempronio and Pármeno talk amongst themselves apart from them. A background with columns and arches.

On the left, Celestina speaking with Pármeno. On the right, the following scene of him lying with Areúsa.

Double scene. On the right, Pármeno has awoken to go to his master's house after spending the night with Areúsa. On the left, the following scene is of the encounter and agreement between Pármeno and Sempronio.

The banquet scene in Celestina's house with Pármeno, Sempronio, Elisa y Areúsa. Outside Lucrecia knocking on the door. Celestina drinking and a cat or dog with a bone in front of the table.

Two consecutive scenes. On the left, Celestina, holding the rosary, arrives at Melibea's house with Lucrecia. On the right, inside the house, Celestina talks with Melibea while sitting on the dais, and Alisa enters through the door.

Celestina is accompanied by Pármeno and Sempronio, in the street. Calisto on his knees in the church of the Magdalen.

While Pármeno and Sempronio, well armed, stand watch, Calisto speaks with Lucrecia and Melibea, who are not represented, through the garden door.

Pármeno and Sempronio kill Celestina, who is on the floor, while Elicia watches horrified.

Sosia and Tristán talk in the doorway about the execution of Pármeno and Sempronio while Calisto lies in his bed.

Pármeno and Sempronio's execution. On the left, the judge and three people, one of which is probably Sosia. On the right, the execution, one of the defendants already decapitated and the other being decapitated. Two people with beards on the right.…

Calisto climbing a ladder while Melibea and Lucrecia watch from two arches. On the right, Sosia and Tristán stand guard outside. The same image is repeated again in act XIX.

Elicia and Areúsa plot their revenge against Calisto with Centurio, shown with a sword. In the background, a bed and stairs. This image is used again in act XVIII.

Lucrecia and Melibea, on a cushion, on the other side of a door listen to the conversation between Pleberio and Alisa, who are sitting in another room.

Areúsa in her house receiving Sosia, while Elicia listens hidden. Bed and stairs in the background.

The same image as used in act XV, now to represent Elicia helping Areúsa to make peace with Centurio.

The same illustration used in act XIV, now for Calisto's fatal visit to Melibea.

Sosia and Tristán remove Calisto's corpse.

Pleberio, and behind him Alisa in bed, knocking on the door of Melibea's bedroom. Lucrecia answering while saddened Melibea is sitting on the dais.

Melibea throws herself from an elevated location with locked doors meanwhile Pleberio joins his hands in a sign of prayer.

Three bearded male characters contemplate Melibea's corpse lying facedown and, beside her, Lucrecia, Alisa and Pleberio. Two unidentified people leaning over the wall also contemplate Melibea's corpse.

Five factotums and written above are the names of the characters in the act, repeating Calisto's twice to indicate he is the one who speaks first in the act. Calisto's name is the only one that coincides with the factotum of an image, although it…

Four factotums of characters and one of houses. Above only the names of Calisto, Sempronio and Pármeno appear, which do not coincide with the characters over which they are been situated.

Four factotums of characters and houses. Above, without coinciding with the images --two male and two female--, the names Celestina, Lucrecia, Elicia and Melibea.

Four factotums of characters --three men and a woman-- and houses. Above are written the names Pármeno, Areúsa, Sempronio, Calisto, and Pármeno repeated, the one who begins speaking first in this act.

Five factotums and above the names of the characters who appear in the act: Sempronio, Pármeno, Elicia, Celestina and Lucrecia, and later repeated, Sempronio to indicate he is the first to speak in the act.

Four factotums and houses. Above, four names: Melibea, Celestina, Lucrecia, Elisa and Melibea repeated to indicate it is she who speaks first in the act. There is a masculine character between the images.

Five factotums and above the names Celestina, Sempronio, Calisto, Pármeno and Elicia that appear to coincide with the image order. Celestina's name is repeated twice for being the first to appear in the act.

Five factotums and above the names of Calisto, Sempronio, Pármeno, Lucrecia, Melibea, Pleberio, Alisa, Celestina, Elicia, and repeated Calisto for being the first to speak in the act.

Five factotums of houses, three characters and a tree. Above, the names Calisto, Tristanico, Sosia and Calisto repeated, for being the first to speak in the act. One of the factotums is a woman.

Five factotums of characters, two women and three men, and above, the names of Melibea, Lucrecia, Sosia, Trístanico, Calisto and Melibea repeated for being the first to speak in the act. The order of the characters appears to coincide, but the first…

Four characters and houses. Above, Areúsa, Centurione ruffian [sic] and Elicia. The name Elicia repeated for being the first to speak in the act.

Five factotums (two women and three men) and above, the names of Pleberio, Alisa, Lucrecia, and Melibea. Pleberio's name repeated for being the first to speak in the act.

Four factotums of characters (three women and one man) and houses. Above, the names Elisa, Areúsa and Sosia, with Elicia repeated for being the first to speak in the act.

Four factotums of characters (three women and one man) and houses. Above is written Elicia, Centurione ruffian [sic] and Areúsa, with the name of Elicia repeated for being the first to speak in the act.

Five factotums (two women and three men) and above, the names Sosia, Tristanico, Calisto, Melibea, Lucrecia, and Sosia repeated for being the first to speak in the act.

Factotums of a tree, three characters (two men and one woman) and houses, written above Pleberio, Lucrecia, Melibea and Pleberio repeated for being the first to speak in the act.

The same as Sevilla (1523)'scover page. A variation of the cover pages by Cromberger from Sevilla (1511) (1502) but completely redesigned. Now it also includes a dog and Sempronio and Celestina's initialshave been added on top of the corresponding…

Other title: Calisto en Celestina

A drawing done by the DeviantArt user KermitTX. Inspired by the Michael Sweerts painting "The young man and the procuress."

Adaptation by Karl Mickel

Guiragai Theater CompanyScenic space: Jean Helbig Scenography and costumes: Mónica Florensa, Javier Chavarria and Maribel Ganso Lighting: Juanjo Granda Characterization: Carolina Cubría Cast: Antonia Bueno - Celestina and Tristán Miguel Ángel Pérez -…

La Celestina oder Tragikomödie von Clisto und Melibea Production of Gobelin Theater in cooperation with the Zimmer TheaterDuration: 100 min. Cast: Janne Wagler represents Celestina and all the characters.Alon Wallach- guitarist

Production ofEl Candil: Teatro de Cámara and Ensayo de Talavera de la ReinaRecord of representation in CDAEM, Spanish Theater: https://www.teatro.es/estrenos-teatro/la-celestina-2323078

¡PUTA VIEJA! ("OLD WHORE!")Flamenco cantata for La Celestina Adaptation and direction: Antonio Algarra Author: Fernando de Rojas Duration 60 min. Scenography: Perla Xóchitl Tinoco Escobedo Make up and costumes: Israel Anaya Benavides Lighting:…

Stage: Mischa ScandellaMusical commentary: Piera BorellaDancer: Alessandra VianelloCostumes: Casa d'Arte G.B. Placco - PadovaStage director: G.A. RossiCast:Mario Bardella- CalistoSara Momo- MelibeaLuciano Montini- PleberioMargherita Penzo-…

Stage and clothing: Roberto da Re
Music: Franco Baroni

Cast:
Antonio Franchini- Calisto
Anna Mariacher- Melibea
Arnaldo Momo- Pleberio
Linda Cosma- Alisa
Sara Momo- Celestina
Mario Esposito- Pármeno
Gianni Guidetti- Sempronio
Fabio…

Cast:
Andrea Marinuzzi- Calisto
Lidia Fersuoch- Melibea
Arnaldo Kirsch- Pleberio
Lidia Cosma- Alisa
Sara Momo- Celestina
Fabio Momo- Pármeno
Mauro Pagan- Sempronio
Mario Gabbiato- Sosia
Laura Rioda- Lucrecia
Girgia Reberschak-…

Dramaturgy: Arturo Castro and José Antonio Lobato Assistant director: Cristina E. Pérez Scenic space design: Teatro Margen Lighting design: Javier Fernández Costume design: Azucena Rico Video report: Escuela Taller Técnicas del Espectáculo…

La Celestina te echa la suerte con la baraja Góngora ("La Celestina casts your luck with Góngora deck")Minishow of 15 minutes of duration. La Celestina receives a consultant in a dark cave and in the light of the lamp and with the musicAmor Brujo by…

Original title: El refajo de la Celestina("Celestina's petticoat")The images belong to different representations of El refajo de la Celestina by Blanco Amor between the years 1982-1986. The 1982 performance was in León and the 1985 performance was by…

XXXII Festival of Theater and Dance Castillo de Niebla.

CelestineosSketches of scenes from La Celestina

Adaptation: Yulky Cary
Tranvía Theater Company

Cast: Marcela Molina, José Salinas, Rodrigo Reyes, Guillermo Ramos, Eduardo González.

Cast: Jonathan, Alvarado, Lisa Waska, Luis Arturo Salazar, Juan Luis Altamirano, Yadira Vázquez, Alejandra Romero, Rebeca García, Carla Serrano, Adrián Becerril, Diego Jiménez, Alan Flores and Ximena Rosete.

Event organized by ACTÚA (Artistic cultural action) on the occasion of Book Day, in the Plaza de Las Palmas de Arrecife, the public enjoyed this scene represented by Begoña Cedrés, Matías Di Candia and Germán Barrios.

Companhia Rey Colaço-Robles MonteiroVersion by Alejandro Casona Realization: Cayetano Luca de Tena. Translation: David Mourao Ferreira Figurines: Lucien DonnatAuthor: José MarquesPedro L.Premiere of the play in the Teatro Nacional D. Maria II, March…

Musician and composer: Schubert Ganchozo Galarza

Celestina’sDuration: 120 minutesren-Hacer-berBizi Theatre Company

Duration: 90 min.
Music: Nicolás Bernazzani
Musical coach and lute player: Miguel de Olaso
Lighting: Nicolás Trovato
Costume design: Renata Schussheim
Scenography: Horacio Pigozzi
Scenography design for outdoor spaces: Héctor…

Celestina (fantasia para xoguetes)Scenography and clothing: Ovidio L. BlancoLighting: Manuel Núñez RomaniegaProduction: Teatro da Lúa

Version of José Ricardo Morales
Teatro Itinerante Company
Costume design, set design, lighting and technical direction: Guillermo Ganga.
Costume making: María Teresa Cereceda
Music: Patricio Solovera
Make-up: Juan Cruz
Scene direction: Silvio…

A Celestina, comedia dos tolos amores de Calisto e Melibea ("The Celestine, comedy of the crazy loves of Calisto and Melibea")Author and director: Eduardo AlonsoProduction: Teatro do NoroesteShow funded by the IGAEM and INAEMMusic: Chefa…

El pacto de Centurio ("Centurio's Pact")

El patio de Celestina ("Celestina's patio")Carmelitas Theater SchoolScript and direction: María Azucena Navarro Orgaz. Cast: Roberto Aresena, Juan Miguel Abellán, Carlos Mezlat, Paula Vera, Mariola Gómez, Álvaro Ramírez, Carlos Verdú, Joaquín Rubio,…

Drawing in a Hungarian edition from 1979. Made by Gyula Feledy. In an edition of Celestinesca, Vol. 6, Num. 1.

Drawing of a scene from La Celestina made by Manuel Humbert in an edition of Celestinesca.

Drawing by Gyula Feledy in a Hungarian edition from 1979 in Celestinesca Vol. 5 Num 1. Pa. 34. September 4, 2016.

Entre pícaros, alcahuetas y enamorados ("Among rascals, procuresses and lovers")

Adaptation by María Elena Diardes and Luis María García

Adaptation: Francisco de Pedro Production: La trouppe inestable" of the I.E.S. "La Arboleda" Stage equipment: Fernando Pérez- Baquero and his students.

State Theater Company

Cast:
Alfonso García Medina- Calisto
Andrea Urban-Melibea
Miguel Ángel Canto- Sempronio
Oswaldo Ferrer- Pármeno
Madeleine Lezama- Celestina
Susan Tax- Elicia
Marilú Bolivar- Lucrecia
Laura Zubieta- Alisa
Alejandra…

Translation and reduction in two parts: Carlo Terron
Scenography: Mischa Scandella
Clothing: Eugenio Gugielminetti
Music: Sergio Liberovici

Cast:

Alberto Terrani – Calisto
Cecilia Sacchi – Melibea
Giulio Oppi –Pleberio
Isabella Riva –…

Adaptation and direction: Gina Saldaña

Cast:
Paulina Lara Franco- Celestina

Organized by the Casa de la Mancha and the Department of Social Welfare

La moderna Celestina ("Modern Celestina")Jara Theater GroupFree adaptation: María Isabel Valdivia

National comedyMusic: Martín Buscaglia and Paolo Buscaglia Scenography: Adán Torres Clothing: Nelson Mancebo Lighting: Carlos Torres Cast: Estela Medina- Celestina Andrea Davidovics- Melibea Oscar Serra- Calisto Julio Calcagno, Pablo Varrailhon,…

Director: Joan GuaskiMusic: Francesc Planchart Cast: Joaquín Gómez / Jordi Pérez / Marc Parejo / Marga Julià / María Jesús Pereiro / Martha Carbonell / Oriol Macià / Rebeca Sánchez / Rosa GironaRecord of representation in the Documentation Center for…

National School of Dramatic ArtAbbreviated version: Alejandro Casona Cast: Elvira Travesí, Manuel Delorio, Ricardo Blume, Alfredo Bouroncle seconded by students and graduates.There was another performance of the play on August 18, 1967 at the Reina…

Theja Theater Group
Direction: Jose Simón Escalona
Assistant director: Oscar Escobar
Executive production: Angélica Escalona
Set design: José Simón Escalona
Stage design assistants: Nakarid Escalona Mata and Luis Felipe Castro…

Version: Camilo José Cela Author: Fernando de RojasDirection: JoséTamayoScenography: Andrea D’Odorico Director deputy: Luis Balaguer Clothing: Miguel Narros Corporal expression: Marta Schinca Music: Antón García Abril Cast: Irene Gutiérrez Caba,…

Songs: Lucila Ramos Mañé Stenography: Osvaldo ReynoCostumes: Nelson Mancebo Lighting: Carlos Vecino Props: Roberto Rosas Accessories: Maria Isabel Hairdresser: Nelson Coiffeur Cast: Roberto Meneses- Calixto Eliana Pena- Melibea Pedro Corradi-…