Browse Items (3223 total)

A factotum of an older woman with a rosary or beads tucked into her belt and with the name Celestine in red in a border.

Melibea's suicide and Pleberio's lament. A third character coming out of the tower

Three images of Celestina inside the book. Originals in color

El patio de Celestina ("Celestina's patio")Carmelitas Theater SchoolScript and direction: María Azucena Navarro Orgaz. Cast: Roberto Aresena, Juan Miguel Abellán, Carlos Mezlat, Paula Vera, Mariola Gómez, Álvaro Ramírez, Carlos Verdú, Joaquín Rubio,…

Tragicomedia de Calisto y Melibea, de Joan Navarro, Valencia, 1575. Imagen compuesta que parece un fragmento del modelo con que arranca de Cromberger, Sevilla, 1511 (1502) y Valencia, 1514, que presenta el huerto con Calisto y Melibea, el criado con…

Edition for young readers.

The cover features an illustration of an anatomically correct heart, a key, and windows.

This is the first edition in this format.

Celestina's spell as part of the presentations of International Theatre Day

Hair upside-down, yarn or spider web on a red background. Amaranta Saguar: "Exhibition Following Celestina: Type, myth, woman, which can be visited in the temporary exhibition hall of the La Celestina Museum in La Puebla de Montalbán from June 29 to…

Described on the website El legado de Clio (www.ellegadodeclio.blogspot.com)where it is titled: Celestina and her daughter in prison.http://ellegadodeclio.blogspot.com/2017/02/pobres-y-picaros-en-la-espana-de-los.htmlArchived…

On the left, in the shadows, a character of Celestinesque descent.See TAGGARD, MINDY NANCARROW. “A Source for the Interpretation of Murillo’s ‘Parable of the Prodigal Son’: The Golden Age Stage.” RACAR: Revue d’art Canadienne / Canadian Art Review,…

Four characters among which a prostitute and a matchmaker are usually identified.

Two women in a window, a roof, possibly a prostitute and her matchmaker.

Description by the author for the online exhibition held in 2012 in the Spanish gallery Plastiké Art Gallery, where the drawing was exhibited: "The painting represents a brothel where a variety of characters meet, drawn by business or…

Descripción del autor:
La obra es un díptico (60 x 80 cms cada cuadro) pintado al óleo sobre cartón, del año 1989. Es parte de una serie titulada “Atentados”, que recogía versiones muy cambiadas de cuadros famosos de la Historia del Arte. Éste en…

The image shows a couple of young women accompanied by an old woman in a park. Two men appear in the background. The old woman who represents Celestina appears with her head covered.

2005

XXXII Festival of Theater and Dance Castillo de Niebla.

The lawsuit of Areúsa or old chicken makes good soup was born from the discovery of a manuscript, an actor's libretto, with an illegible signature, which could well be, due to the letters that remain legible, of a young Lope de Vega. Set design:…

In the image appears a young man looking at the viewer and a woman looking at him. From the title of the work it can be inferred that the woman represents a procuress.

Image of Celestina with a money bag with hte $ sign and the yard in red. Depicted as a vampire

Illustration of a young woman assaulted by a man, cover of Coloma, Jesús R.'s novel, in the series Los contemporáneos.

An engraving depicting events that occurred in central London

Celestina y Melibea An adaptation to Flamenco dance of the work La Celestina by Fernando Rojas. With strategy through fables and spells that Celestina uses against Melibea, she manages to make her fall in love with Calisto, thus ending the story…

Authorship: Vicent Vila Costume: Rocío Cabedo Lightning: Natzari Lorente Staging: Pep Sellés Production: Teatre de la Caixeta Distribution: Teresa de Juan Cast: Naus Agulló, José Blasco, Yolanda García and Juansa LloretRecord of representation in…

A coloured reproduction of the cover of the Seville edition of 1523 by Juan Bautista Pedrezano, which depicts Calisto, Melibea, Lucrecia, Sempronio, and Celestina. Curiously, this edition shows Calisto's falcon as well as a hound and horse,…

A dropped capital 'T'. The background is yellow.

The subject of the greedy or usurer old woman is indirectly related to the subject of the procuress, since it uses the same physical prototype.See painting:Vieja usurera, de Ribera (1638).Here the presence of a second character evokes Parmeno's…

Representation directed by José Ricardo Morales of the Teatro experimental of the Universidad de Chile. Cutting from the official program. Contains an illustrated representation and the cast. Technical team: Raúl Aliaga, Props; Juan Cruz, Makeup;…

A cover in black, white, and purple tones that depicts a male figure with his arms outstretched, moving towards what appear to be two figures, grasping a letter in his right hand.

Facsimile edition of the 1554 Zaragoza edition. Only 100 copies printed. The cover is new.

Production ofEl Candil: Teatro de Cámara and Ensayo de Talavera de la ReinaRecord of representation in CDAEM, Spanish Theater: https://www.teatro.es/estrenos-teatro/la-celestina-2323078

Oil on canvas 29'5 x 23'5 cm. Three people at the light of a candle. They may be Celestina, Areúsa and Pármeno, or other characters

Cast:
Andrea Marinuzzi- Calisto
Lidia Fersuoch- Melibea
Arnaldo Kirsch- Pleberio
Lidia Cosma- Alisa
Sara Momo- Celestina
Fabio Momo- Pármeno
Mauro Pagan- Sempronio
Mario Gabbiato- Sosia
Laura Rioda- Lucrecia
Girgia Reberschak-…

Stage and clothing: Roberto da Re
Music: Franco Baroni

Cast:
Antonio Franchini- Calisto
Anna Mariacher- Melibea
Arnaldo Momo- Pleberio
Linda Cosma- Alisa
Sara Momo- Celestina
Mario Esposito- Pármeno
Gianni Guidetti- Sempronio
Fabio…

Stage: Mischa ScandellaMusical commentary: Piera BorellaDancer: Alessandra VianelloCostumes: Casa d'Arte G.B. Placco - PadovaStage director: G.A. RossiCast:Mario Bardella- CalistoSara Momo- MelibeaLuciano Montini- PleberioMargherita Penzo-…

Two people appear on the cover, on the right an old woman with her head covered following the Celestinesque tradition and holding a club and on the left a young man handing a sack of coins to the old woman. By the title of the work it is understood…

Although it is a clear case of Vanitas, with the skull, the mirror and the soap bubbles, the character of the woman who combs the young woman's hair wears an orientalizing headdress common in portraits of procuresses in Dutch paintings at the time.…

Man with prostitute on his arm and behind is the matchmaker.

Engraving by Jean Mohler that accompanies the title page and acts as a frontispieceof the book La Célestine, Tragi-Comédie de Calixte et Mélibéeby Fernando De Rojas, translated into French by A. Germond de Lavigne, published by Les Compagnons du…

Engraving depicting a procuress on a donkey, whipped while wearing a crest. An inscription in Italian reads: The procuress whipped while wearing a crest on her head, Bologna, June 1696.

Bilingual edition: Spanish Sign Language/ Castilian.

The cover is a red reproduction of the cover of the Valencia edition of 1514.

The cover features two figures: a man playing a guitar and a women with flowers. These illustrations resemble figures from old playing cards. The two figures are repeated and inverted, so that there are four figures in total.

Adaptation: Dorin Mihailescu
Choreography : Dana Coseru
Scenery: Sandu Maftei
Design: Iuliana Maftei

Cast:
Elena Petrican – Celestina
Simon Salca jr. – Calisto
Petronela Ene – Melibea
Constantin Petrican – Pleberio
Dana Tomita – Alisa…

Drawing of a young, naked woman between two billy goats.

Drawing of death in skeleton form floating beside the ladder in the garden.

Naked man or woman reading a book beside a tree and falcon.

Capital letter O that frames a naked Melibea and angels.

Drawing of Pleberio's sobs with mourners in the background.

Symbolic drawing that could be the spirits of Calisto and Melibea.

Symbolic drawing that is difficult to interpret. It could be Calisto's ghost hugging Melibea while a character transformed into a tree could be Celestina's ghost.

Coloured image of Melibea's suicide that transforms to rose gradually as she falls.

Drawing of Calisto dead in his servants' arms. Calisto's figure is curiously nude.

Centurio gives Traso el Cojo and another ruffian instructions.

Drawing of Elicia and Areúsa standing before Centurio, who appears almost as an avenging angel.

Drawing of a naked woman changing clothes. She is perhaps Elicia or Areúsa who is changing from mourning to more cheerful clothes.

Drawing of Areúsa coaxing Sosia while Elicia listens behind the curtain.

Coloured image of naked Melibea and Calisto in the garden. Underneath can be read: "¡Oh dulce sobresalto!" ("Oh sweet shock!").

Drawing of Melibea playing the lute in her bed.

Conversation between Pleberio and Alisa inside the house.

Drawing of a man (Sosia or Tristán) who with a candle in his hand illuminates a fallen corpse beside the wall who could be Calisto after his fall.

Drawing of Elicia arriving to Areúsa's house dressed in mourning. Areúsa appears almost naked.

Drawing of Calisto and Melibea hugging in the garden.

Drawing of a body covered with a sheet or a shroud that is supposedly dead Celestina.

Drawing of dead Celestina and of Elicia crying, plus a series of female characters in the background.

Calisto and Melibea, half naked, hugging in the garden, with the moon and the tree in the background.

Calisto and Melibea's meeting behind the garden door. Pármeno and Sempronio in the background.

Drawing of Celestina with the Church of the Magdalena in the background and handwritten superimposed text of her words in which she desires to go to the Church of the Magdalena to meet with Calisto.

Celestina and Calisto walk down the street accompanied by Pármeno and Sempronio, who are following them. View from the city and superimposed part of the text written by hand.

Colour image of Pármeno approaching Areúsa's bed. She is naked. Underneath can be read: "Que quiero ver par cuanto eres" ("I want to see how much you are worth").

Drawing of Melibea seated at the window of her room playing with a cat.

Drawing of Pármeno and Sempronio speaking at the table at Celestina's house, from whose ceiling hang hams and charcuterie.

Drawing of a couple hugging and ascending to the top floor of Celestina's house, while Pármeno is downstairs, kneeling??

Drawing of the banquet at Celestina's house.

Drawing of Areúsa and Pármeno getting out of bed the next day.

Drawing of Areúsa bent over and naked.

Drawing of Celestina approaching Areúsa, naked, in the bed, while Pármeno watches from behind a curtain.

A skeleton representing death approaches a dove or bird on a branch.

Calisto and Melibea kissing in the garden under the moon. Underneath can be read: "¡Oh mi vida y mi amor!" ("Oh my life and my love!").

Drawing of Calisto playing the lute in his bed and Celestina speaking to him. Dog on the floor and Pármeno listening in the background.

Drawing of a group of older women.

Coloured image of Sempronio hugging Elicia. Underneath can be read: "No derribes la mesa" ("Don't knock down the table").

Drawing of Celestina walking down the street and a young man, Sempronio, waiting for her leaning on a wall.

Drawing of Celestina on the balcony and Celestina behind speaking to her.

Drawing of Celestina at the table casting a spell and the spirits becoming visible.

Drawing of Celestina in her house with the string and a cat at her feet.

Drawing of Melibea as a locked up damsel that is sewing or embroidering with a cat at her feet.

Colour image of Melibea with the falcon. Underneath can be read: "De cuyo amor preso comenzóle de hablar" ("About whose imprisoned love he began to speak to him about").

Colour image of Melibea with long hair. Beneath the image can be read: "La soberana hermosura" ("The sovereign beauty").

Drawing of Calisto and Melibea in the garden.

Drawing of Calisto on horseback while the falcon is flying.

Drawing of Calisto bowing, probably before the arrival of Celestina to his house.

Drawing of Calisto playing the lute while Pármeno and Sempronio speak in the back.